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| Schubert |  Piano
| 4 Hands | Duet | | 2 Landlers (Arr. F. Liszt) | | 2 Marches, Op. 121 | | 3 Marches Heroiques, D. 602, Op. 27 | | 3 Military Marches | | 4 Landlers | | 4 Polonaises | | 6 Grand Marches | | 6 Polonaises (complete) | | 6 Polonaises: No. 1 | | 6 Polonaises: No. 2 | | 6 Polonaises: No. 3 | | 6 Polonaises: No. 4 | | 6 Polonaises: No. 5 | | 6 Polonaises: No. 6 | | Allegro, Op. 144 for Piano 4 Hands | | Allegro moderato and Andante for Piano 4 Hands | | Andantino Varie, D. 823, Op. 84 No. 1 | | Andantino and Variations | | Ave Maria | | Children’s March in G Major, D. 928 | | Children`s March in G Major | | Divertimento in E Minor | | Divertissement a la Hongroise | | Fantasy Op. 108 | | Fantasy in C Minor | | Fantasy in F minor, Op. 103 | | Fantasy in G Major | | Fantasy in G Minor | | Fugue in E Minor | | German Dance | | Grand Funeral March | | Grand March Heroique | | Grand March No. 1 | | Grand March No. 2 | | Grand March No. 3 | | Grand March No. 4 | | Grand March No. 5 | | Grand March No. 6 | | Grand Sonata Op. 30 | | Grosse Sonate for Piano 4 Hands | | Hungarian Divertissement, Op. 54 | | Introduction and Variations, D. 968a (603), Op. 82 No. 2 | | Lebenssturme | | Marche Caracteristique, Op. 121 No. 1 for Piano 4 Hands | | Moment Musical | | Overture in C Major | | Overture in D Major | | Overture in F Minor | | Overture in G Minor | | Overture to Fierrabras, D. 798 | | Quintet "The Trout", Arr. for Piano 4 Hands, Complete | | Quintet "The Trout", Arr. for Piano 4 Hands, Movement 1 | | Quintet "The Trout", Arr. for Piano 4 Hands, Movements 2-3 | | Quintet "The Trout", Arr. for Piano 4 Hands, Movements 4-5 | | Quintet, Op. 163, Arr. for Piano 4 Hands, Complete | | Quintet, Op. 163, Arr. for Piano 4 Hands, Movement 1 | | Quintet, Op. 163, Arr. for Piano 4 Hands, Movement 2 | | Quintet, Op. 163, Arr. for Piano 4 Hands, Movement 3 | | Quintet, Op. 163, Arr. for Piano 4 Hands, Movement 4 | | Rondeau Brillant, D. 823, Op. 84 No. 2 | | Rondo Brillante | | Rondo in A Major, Op. 107 | | Rondo in D Major | | Sonata in B flat Major | | Sonata in C Major | | Sonatina, D. 968 | | Variations on Original Theme | | Variations on a French Song | | Variations on a Theme from Herold`s "Marie" | Easy | | Children’s March in G Major, D. 928 | Ecossaises | Solo | | 3 Ecossaises, D. 529 | | 5 Ecossaises, D. 697 | | 6 Ecossaises, D. 421 | | 8 Ecossaises, D. 299 | | 8 Ecossaises, D. 977 | | 11 Ecossaises, D. 781 | | 38 Waltzes, Landlers and Ecossaises, D. 145, Op. 18 | | Eccossaise in D minor | German Dances | | 2 German Dances, D. 769 | | 2 German Dances, D. 974 | | 3 German Dances, D. 971 | | 3 German Dances, D. 972 | | 3 German Dances, D. 973 | | 6 German Dances, D. 970 | | 12 German Dances and 5 Ecossaises, D. 420/529 | | 12 Viennese German Dances, D. 128 | | German Dance, D. 722 | | German Dance, D. 975 | | German Dance and Ecossaise, D. 643 | Impromptus | | Impromptu Op. 90, No. 1 | | Impromptu Op. 90, No. 1 (Revised by F. Liszt) | | Impromptu Op. 90, No. 2 | | Impromptu Op. 90, No. 2 (Revised by F. Liszt) | | Impromptu Op. 90, No. 3 | | Impromptu Op. 90, No. 3 (Revised by F. Liszt) | | Impromptu Op. 90, No. 4 | | Impromptu Op. 90, No. 4 (Revised by F. Liszt) | | Impromptu Op. 142, No. 1 | | Impromptu Op. 142, No. 1 (Revised by F. Liszt) | | Impromptu Op. 142, No. 2 | | Impromptu Op. 142, No. 2 (Revised by F. Liszt) | | Impromptu Op. 142, No. 3 | | Impromptu Op. 142, No. 3 (Revised by F. Liszt) | | Impromptu Op. 142, No. 4 | | Impromptu Op. 142, No. 4 (Revised by F. Liszt) | Landlers | | 3 Landlers | | 8 Landlers, D. 378 | | 12 Landlers, D. 790, Op. 171 | | 17 Landlers, D. 366 | | 18 Viennese Ladies’ Landlers and Ecossaises, D. 734, Op. 67 | | Landler in D | Moments Musicaux | | Moment Musical, Op 94, No. 1 (Revised by F. Liszt) | | Moment Musical, Op 94, No. 2 (Revised by F. Liszt) | | Moment Musical, Op 94, No. 3 (Revised by F. Liszt) | | Moment Musical, Op 94, No. 4 (Revised by F. Liszt) | | Moment Musical, Op 94, No. 5 (Revised by F. Liszt) | | Moment Musical, Op 94, No. 6 (Revised by F. Liszt) | | Moment Musical No. 1 | | Moment Musical No. 2 | | Moment Musical No. 3 | | Moment Musical No. 4 | | Moment Musical No. 5 | | Moment Musical No. 6 | | Moments Musicaux, Op. 94 (Revised by F. Liszt): Complete | | Moments Musicaux, Op. 94 - Complete | Pieces | Easy | | 2 German Dances, Op. 33 | | 3 Waltzes | | Ave Maria | | Eccossaise in D minor | | Landler in D | | Marche Militaire (simplified) | | Moment Musical Op. 94, No. 3 | | Moment Musical Op. 94, No. 5 | | Sentimental Waltz in A Major | | Theme from ’Unfinished’ Symphony | | Theme from Trout Quintet | | Variations on a Waltz by A. Diabelli, D. 718 | | Waltz, Op. 18, No. 5 | Favorites | | 2 German Dances, Op. 33 | | Marche Militaire (simplified) | | Theme from ’Unfinished’ Symphony | | Waltz, Op. 18, No. 5 | Solo | | 2 German Dances, Op. 33 | | 2 Minuets, D. 380 | | 10 Variations in F Major, D. 156 | | 13 Variations on a Theme by Huttenbrenner, D. 576 | | 20 Minuets, D. 41 | | Adagio and Rondo, Op. 145 | | Adagio in C Major, D. 349 | | Adagio in E Major, D. 612 | | Adagio in G Major, D. 178 | | Allegretto in C Major, D. 346 | | Allegretto in C Minor, D. 900 | | Allegretto in C minor | | Allegro Moderato, D. 347 | | Allegro in F sharp minor and Scherzo, D. 570 | | Andante in C Major, D. 29 | | Andantino in C Major, D. 348 | | Ave Maria | | Ave Maria | | Fantasia in C Major, D. 605 | | Fantasy. Andante, Menuet and Allegro, Op. 78 | | Galop and Ecoosaises, Op. 49 | | Graz Galop, D. 925 | | March Militaire | | Marche Militaire (simplified) | | March in E Major, D. 606 | | Minuet in A Major, D. 134 | | Minuet in C sharp minor, D. 600 | | Minuet in D Major | | Piano Piece No. 1, D. 459 | | Piano Piece No. 1, D. 946 | | Piano Piece No. 2, D. 459 | | Piano Piece No. 2, D. 946 | | Piano Piece No. 3, D. 459 | | Piano Piece No. 3, D. 946 | | Piano Piece No. 4, D. 459 | | Piano Piece No. 5, D. 459 | | Piano Piece in A Major, D. 604 | | Scherzo in B flat Major | | Scherzo in D flat Major | | Theme from ’Unfinished’ Symphony | | Theme from Trout Quintet | | Trio, D. 610 (Lost Son of a Minuet), D. 610 | | Valses Sentimentales, Op. 50a | | Variations on a Waltz by A. Diabelli, D. 718 | | Waltz, Op. 18, No. 5 | | Wanderer Fantasy Op. 15 | | Wanderer Fantasy Op. 15 (Revised by F. Liszt) | Soirees de Vienne | | Valse-Caprice No. 4 from ’Soirees de Vienne’ (Arr. F. Liszt) | | Valse-Caprice No. 4 from ’Soirees de Vienne’ (Arr. F. Liszt) | Sonatas | | Fantasie or Sonata, Op. 78 (Revised by F. Liszt) | | Sonata in A Major D. 959 (1828): Movement 1 | | Sonata in A Major D. 959 (1828): Movement 2 | | Sonata in A Major D. 959 (1828): Movement 3 | | Sonata in A Major D. 959 (1828): Movement 4 | | Sonata in A Major Op. 120 (Posth.) (1819) | | Sonata in A Minor D. 845, Op. 42 (1825): Movement 1 | | Sonata in A Minor D. 845, Op. 42 (1825): Movement 2 | | Sonata in A Minor D. 845, Op. 42 (1825): Movement 3 | | Sonata in A Minor D. 845, Op. 42 (1825): Movement 4 | | Sonata in A Minor Op. 143 (Posth.) (1823) | | Sonata in A Minor Op. 164 | | Sonata in A flat Major (1817) | | Sonata in B Major Op. 147 | | Sonata in B flat Major D. 960 (1828): Movement 1 | | Sonata in B flat Major D. 960 (1828): Movement 2 | | Sonata in B flat Major D. 960 (1828): Movement 3 | | Sonata in B flat Major D. 960 (1828): Movement 4 | | Sonata in C Major (1815) | | Sonata in C Major, Unfinished (1818) | | Sonata in C Major, Unfinished (1825) | | Sonata in C Minor D. 958 (1828) - complete | | Sonata in C Minor D. 958 (1828): Movement 1 | | Sonata in C Minor D. 958 (1828): Movement 2 | | Sonata in C Minor D. 958 (1828): Movement 3 | | Sonata in C Minor D. 958 (1828): Movement 4 | | Sonata in C sharp Minor, Unfinished (1819) | | Sonata in D Major D. 850, Op. 53 (1825): Movement 1 | | Sonata in D Major D. 850, Op. 53 (1825): Movement 2 | | Sonata in D Major D. 850, Op. 53 (1825): Movement 3 | | Sonata in D Major D. 850, Op. 53 (1825): Movement 4 | | Sonata in D flat Major, Unfinished (1817) | | Sonata in E Major, Unfinished (1815) | | Sonata in E flat Major Op. 122 (Posth.) (1817) | | Sonata in F sharp Minor, Unfinished (1817) | | Sonata in G Major D. 894, Op. 78 (1825): Movement 1 | | Sonata in G Major D. 894, Op. 78 (1825): Movement 2 | | Sonata in G Major D. 894, Op. 78 (1825): Movement 3 | | Sonata in G Major D. 894, Op. 78 (1825): Movement 4 | Symphonies | | Symphony No. 5: Complete | Transcriptions | | ’Wohin?’ from Die Schone Mullerin (Arr. F. Liszt) | | 3 Landlers (Arr. F. Liszt) | | Abschied from Schwanengesang (Arr. F. Liszt) | | Am Meer from Schwanengesang (Arr. F. Liszt) | | Andantino and Variations, Op. 84, No. 1 (Arr. by C. Tausig) | | Auf dem Wasser zu Singen (Arr. F. Liszt) | | Aufenthalt from Schwanengesang (Arr. F. Liszt) | | Ave Maria (Arr. F. Liszt) | | Barcarolla "Auf dem Wasser zu Singen" Op. 72 (Arr. F. Liszt) | | Cradle Song "Wiegenlied" (Arr. L. Godowsky) | | Das Fischermadchen from Schwanengesang (Arr. F. Liszt) | | Das Sterbeglockleun (Arr. F. Liszt) | | Das Wandern, Op. 25, No. 1 (Arr. F. Liszt) | | Der Atlas from Schwanengesang (Arr. F. Liszt) | | Der Doppelganger from Schwanengesang (Arr. F. Liszt) | | Der Lindenbaum from Winterreise (Arr. F. Liszt) | | Der Muller und der Bach, Op. 25 No. 19 (Arr. F. Liszt) | | Der Wanderer (Arr. F. Liszt) | | Die Forelle, Second Edition (Arr. F. Liszt) | | Die Gestirne (Arr. F. Liszt) | | Die Junge Nonne (Arr. F. Liszt) | | Die Post, Op. 89 No. 13 (Arr. F. Liszt) | | Die Rose (Arr. F. Liszt) | | Die Stadt from Schwanengesang (Arr. F. Liszt) | | Die Taubenpost from Schwanengesang (Arr. F. Liszt) | | Du Bist die Ruh (Arr. F. Liszt) | | Du bist die Ruh for the left hand | | Erlkonig (Arr. F. Liszt) | | Erstarrung, Op. 89 No. 4 (Arr. F. Liszt) | | Faith in Spring (Fruhlingsglaube) (Arr. F. Liszt) | | Fantasie or Sonata, Op. 78 (Revised by F. Liszt) | | Fruhlingsglaube (Arr. F. Liszt) | | Fruhlingssehnsucht from Schwanengesang (Arr. F. Liszt) | | Funeral March (Arr. F. Liszt) | | Good Night "Gute Nacht" (Arr. L. Godowsky) | | Gretchen am Spinnrade (Arr. F. Liszt) | | Hark, Hark! The Lark (Morgenstandchen) (Arr. F. Liszt) | | Hedge Rose "Heidenroslein" (Arr. L. Godowsky) | | Himmelsfunken (Arr. F. Liszt) | | Hymne | | Ihr Bild from Schwanengesang (Arr. F. Liszt) | | Impatience "Ungeduld" (Arr. L. Godowsky) | | Impromptu Op. 90, No. 1 (Revised by F. Liszt) | | Impromptu Op. 90, No. 2 (Revised by F. Liszt) | | Impromptu Op. 90, No. 3 (Revised by F. Liszt) | | Impromptu Op. 90, No. 4 (Revised by F. Liszt) | | Impromptu Op. 142, No. 1 (Revised by F. Liszt) | | Impromptu Op. 142, No. 2 (Revised by F. Liszt) | | Impromptu Op. 142, No. 3 (Revised by F. Liszt) | | Impromptu Op. 142, No. 4 (Revised by F. Liszt) | | In der Ferne from Schwanengesang (Arr. F. Liszt) | | Kriegers Ahnung from Schwanengesang (Arr. F. Liszt) | | Le Meunier et le torrent (Arr. by S. Thalberg) | | Liebesbotschaft from Schwanengesang (Arr. F. Liszt) | | Litanei (Arr. F. Liszt) | | Litany "Litanei" (Arr. L. Godowsky) | | Lob der Tranen | | Love Message "Liebesbotschaft" (Arr. L. Godowsky) | | March in B minor (Arr. F. Liszt) | | March in B minor, Op. 40 No. 3 (Arr. F. Liszt) | | March in C Major, Op. 121 No. 5 (Arr. F. Liszt) | | Meeresstille (Arr. F. Liszt) | | Meeresstille (Calm See) for the left hand | | Military March (Arr. by C. Tausig / V, Horowitz) | | Military March (Arr. by W. Backhaus) | | Military March (Concert Arrangement by C. Tausig) | | Moment Musical, Op 94, No. 1 (Revised by F. Liszt) | | Moment Musical, Op 94, No. 2 (Revised by F. Liszt) | | Moment Musical, Op 94, No. 3 (Revised by F. Liszt) | | Moment Musical, Op 94, No. 4 (Revised by F. Liszt) | | Moment Musical, Op 94, No. 5 (Revised by F. Liszt) | | Moment Musical, Op 94, No. 6 (Revised by F. Liszt) | | Moments Musicaux, Op. 94 (Revised by F. Liszt): Complete | | Morning Greeting "Morgengruss" (Arr. L. Godowsky) | | Mut, Op. 89 No. 22 (Arr. F. Liszt) | | My Peace Thou Art (Du Bist Die Ruh`) (Arr. F. Liszt) | | Polonaise, Op. 75, No. 3 (Arr. by C. Tausig) | | Rastlose Liebe (Arr. F. Liszt) | | Reitermarsch (Arr. F. Liszt) | | Rondo on a French Theme, Op. 84, No. 2 (Arr. by C. Tausig) | | Sei Mir Gegrusst (Arr. F. Liszt) | | Serenade "Standchen" (Arr. F. Liszt) | | Serenade (Arr. Dubuque) | | Standchen ’Serenade’ from Schwanengesang (Arr. F. Liszt) | | Standchen von Shakespeare (Arr. F. Liszt) | | The Brooklet "Wohin?" (Arr. L. Godowsky) | | The Trout "Die Forelle" (Arr. L. Godowsky) | | The Trout ’Die Forelle’ Op. 32 (Arr. F. Liszt) | | The Young Nun "Die Junge Nonne" (Arr. L. Godowsky) | | To Mignon "An Mignon" (Arr. L. Godowsky) | | Trauermarsch, Op. 40 No. 5 (Arr. F. Liszt) | | Ungeduld (Arr. F. Liszt) | | Valse-Caprice No. 1 from ’Soirees de Vienne’ (Arr. F. Liszt) | | Valse-Caprice No. 2 from ’Soirees de Vienne’ (Arr. F. Liszt) | | Valse-Caprice No. 3 from ’Soirees de Vienne’ (Arr. F. Liszt) | | Valse-Caprice No. 4 from ’Soirees de Vienne (Arr. F. Liszt) | | Valse-Caprice No. 5 from ’Soirees de Vienne’ (Arr. F. Liszt) | | Valse-Caprice No. 6 from ’Soirees de Vienne’ (Arr. F. Liszt) | | Valse-Caprice No. 7 from ’Soirees de Vienne’ (Arr. F. Liszt) | | Valse-Caprice No. 8 from ’Soirees de Vienne’ (Arr. F. Liszt) | | Valse-Caprice No. 9 from ’Soirees de Vienne’ (Arr. F. Liszt) | | Valses-Caprices, Book 2 (1-5) from ’Soirees de Vienne’ (Arr. F. Liszt) | | Valses-Caprices from ’Soirees de Vienne’ Book 1 (1-5) | | Wanderer Fantasy Op. 15 (Revised by F. Liszt) | | Wasserflut, Op. 89 No. 6 (Arr. F. Liszt) | | Wondering "Das Wandern" (Arr. L. Godowsky) | Waltzes | Easy | | Waltz in G Major, D. 844 | Solo | | 3 Waltzes | | 12 Graz Waltzes, D. 924, Op. 91 | | 12 Valses Nobles, D. 969, Op. 77 | | 18 Waltzes and Ecossaises, D. 783, Op. 33 | | 20 Waltzes, D. 146, Op. 127 | | 34 Valses Sentimentales, D. 779, Op. 50 | | 36 Original Dances, D. 365, Op. 9 | | 38 Waltzes, Landlers and Ecossaises, D. 145, Op. 18 | | Sentimental Waltz in A Major | | Waltzes (Early Versions) | | Waltzes, Op. 9a | | Waltz in G Major, D. 844 |
| Favorites | | 3 Waltzes | | Ave Maria | | Eccossaise in D minor | | Landler in D | | March Militaire | | Moment Musical Op. 94, No. 3 | | Moment Musical Op. 94, No. 5 | | Sentimental Waltz in A Major | | The Merry Peasant | | Theme from Trout Quintet | | Variations on a Waltz by A. Diabelli, D. 718 | | Waltz in G Major, D. 844 | Piano&Orchestra | | Wanderer Phantasy for Piano and Orchestra (Arr. F. Liszt) | Violin | Arrangements | Violin&Piano | | Ave Maria (Arr. by A. Wilhelmi) | Pieces | Easy | | Moment Musical, Op. 94 No. 3 | Favorites | | Ave Maria, Op. 52, No. 6 | | Serenade | Solo | | Erlkonig (Ballade) for Violin Solo (Arr. By H. Ernst) | Violin&Piano | | Ave Maria, Op. 52, No. 6 | | Ballet Music from "Rosamunde" (Arr. By F. Kreisler) | | Fantasy in C Major, Op. 159, D. 934 | | Introduction and Variations for Violin or Flute and Piano, Op. 160 | | Moment Musical (Arr. By Kreisler) | | Moment Musical, Op. 94 No. 3 | | Rondo Brillant, Op. 70 | | Serenade | | The Bee (L'Abeille), Op. 13 No. 9 | | Waltz | Sonatas | | Sonata (Duo), Op. 162, D. 574 | Sonatinas | | Sonatina Op. 137, No. 1 | | Sonatina Op. 137, No. 2 | | Sonatina Op. 137, No. 3 |
| Favorites | | Ave Maria (Arr. by A. Wilhelmi) | | Moment Musical, Op. 94 No. 3 | Classical Guitar | Guitar&Flute | Guitar + | | Ave Maria for Flute and Guitar | | Zingara (A Gipsy Girl) for Flute and Guitar | Pieces | Solo | | 4 German Dances | Transcriptions | | 2 Ecossaises | | 3 Landlers | | Adieu (F. Tarrega) | | Ave Maria (Pavlo) | | Barcarola | | Forelle (The Trout) | | Moment Musical | | Schubert: Minuet from Fantasy Op. 78 (F. Tarrega) | | Serenade | | Waltz in A Major |
| Favorites | | Ave Maria (Pavlo) | | Ave Maria for Flute and Guitar | | Moment Musical | Opera | Pieces | Solo | | Cotillon, D. 976 | Flute | Flute&Guitar | Ensembles | | Ave Maria for Flute and Guitar | | Zingara (A Gipsy Girl) for Flute and Guitar | Pieces | Flute&Piano | | Introduction and Variations for Violin or Flute and Piano, Op. 160 |
| Favorites | | Ave Maria for Flute and Guitar | Chamber | Piano Quintets | Quintets | | Quintet, D. 667, ’Die Forelle’ for Violin, Viola, Cello, Basso, Piano: 1. Complete | | Quintet, D. 667, ’Die Forelle’ for Violin, Viola, Cello, Basso, Piano: 2. Score | | Quintet, D. 667, ’Die Forelle’ for Violin, Viola, Cello, Basso, Piano: 3. Violin | | Quintet, D. 667, ’Die Forelle’ for Violin, Viola, Cello, Basso, Piano: 5. Viola | | Quintet, D. 667, ’Die Forelle’ for Violin, Viola, Cello, Basso, Piano: 6. Cello | | Quintet, D. 667, ’Die Forelle’ for Violin, Viola, Cello, Basso, Piano: 7. Basso | Piano Trios | Trios | | Trio, Op. 99, for Violin, Cello, Piano: 1. Complete | | Trio, Op. 99, for Violin, Cello, Piano: 2. Score | | Trio, Op. 99, for Violin, Cello, Piano: 3. Violin | | Trio, Op. 99, for Violin, Cello, Piano: 4. Cello | | Trio, Op. 100, for Violin, Cello, Piano: 1. Complete | | Trio, Op. 100, for Violin, Cello, Piano: 2. Score | | Trio, Op. 100, for Violin, Cello, Piano: 3. Violin | | Trio, Op. 100, for Violin, Cello, Piano: 4. Cello | | Trio in B Major, D28 for Violin, Cello, Piano: 1. Complete | | Trio in B Major, D28 for Violin, Cello, Piano: 2. Score | | Trio in B Major, D28 for Violin, Cello, Piano: 3. Violin | | Trio in B Major, D28 for Violin, Cello, Piano: 4. Cello | | Trio in E flat Major, D897, Op. Posth. 148 for Violin, Cello, Piano: 1. Complete | | Trio in E flat Major, D897, Op. Posth. 148 for Violin, Cello, Piano: 2. Score | | Trio in E flat Major, D897, Op. Posth. 148 for Violin, Cello, Piano: 3. Violin | | Trio in E flat Major, D897, Op. Posth. 148 for Violin, Cello, Piano: 4. Cello | | Trio ’Notturno’ Op. 148, D. 897, for Violin, Cello, Piano: 1. Complete | | Trio ’Notturno’ Op. 148, D. 897, for Violin, Cello, Piano: 2. Score | | Trio ’Notturno’ Op. 148, D. 897, for Violin, Cello, Piano: 3. Violin | | Trio ’Notturno’ Op. 148, D. 897, for Violin, Cello, Piano: 4. Cello | String Quartets | Quartets | | String Quartet No. 1: Score | | String Quartet No. 2, D32: 1. Complete | | String Quartet No. 2, D32: 2. Score | | String Quartet No. 2, D32: 3. Violin 1 | | String Quartet No. 2, D32: 4. Violin 2 | | String Quartet No. 2, D32: 5. Viola | | String Quartet No. 2, D32: 6. Cello | | String Quartet No. 3, D36: 1. Complete | | String Quartet No. 3, D36: 2. Score | | String Quartet No. 3, D36: 3. Violin 1 | | String Quartet No. 3, D36: 4. Violin 2 | | String Quartet No. 3, D36: 5. Viola | | String Quartet No. 3, D36: 6. Cello | | String Quartet No. 4, D46: 1. Complete | | String Quartet No. 4, D46: 2. Score | | String Quartet No. 4, D46: 3. Violin 1 | | String Quartet No. 4, D46: 4. Violin 2 | | String Quartet No. 4, D46: 5. Viola | | String Quartet No. 4, D46: 6. Cello | | String Quartet No. 5, D68: 1. Complete | | String Quartet No. 5, D68: 2. Score | | String Quartet No. 5, D68: 3. Violin 1 | | String Quartet No. 5, D68: 4. Violin 2 | | String Quartet No. 5, D68: 5. Viola | | String Quartet No. 5, D68: 6. Cello | | String Quartet No. 6, D74: Score | | String Quartet No. 7, D94: 1. Complete | | String Quartet No. 7, D94: 2. Score | | String Quartet No. 7, D94: 3. Violin 1 | | String Quartet No. 7, D94: 4. Violin 2 | | String Quartet No. 7, D94: 5. Viola | | String Quartet No. 7, D94: 6. Cello | | String Quartet No. 8, Op. 168, D112: 1. Complete | | String Quartet No. 8, Op. 168, D112: 2. Score | | String Quartet No. 8, Op. 168, D112: 3. Violin 1 | | String Quartet No. 8, Op. 168, D112: 4. Violin 2 | | String Quartet No. 8, Op. 168, D112: 5. Viola | | String Quartet No. 8, Op. 168, D112: 6. Cello | | String Quartet No. 9, D173: 1. Complete | | String Quartet No. 9, D173: 2. Score | | String Quartet No. 9, D173: 3. Violin 1 | | String Quartet No. 9, D173: 4. Violin 2 | | String Quartet No. 9, D173: 5. Viola | | String Quartet No. 9, D173: 6. Cello | | String Quartet No. 10, Op. 125, No. 1, D87: 1. Complete | | String Quartet No. 10, Op. 125, No. 1, D87: 2. Score | | String Quartet No. 10, Op. 125, No. 1, D87: 3. Violin 1 | | String Quartet No. 10, Op. 125, No. 1, D87: 4. Violin 2 | | String Quartet No. 10, Op. 125, No. 1, D87: 5. Viola | | String Quartet No. 10, Op. 125, No. 1, D87: 6. Cello | | String Quartet No. 11, Op. 125, No. 2, D353: 1. Complete | | String Quartet No. 11, Op. 125, No. 2, D353: 2. Score | | String Quartet No. 11, Op. 125, No. 2, D353: 3. Violin 1 | | String Quartet No. 11, Op. 125, No. 2, D353: 4. Violin 2 | | String Quartet No. 11, Op. 125, No. 2, D353: 5. Viola | | String Quartet No. 11, Op. 125, No. 2, D353: 6. Cello | | String Quartet No. 12 ’Quartettsatz’, D703: 1. Complete | | String Quartet No. 12 ’Quartettsatz’, D703: 2. Score | | String Quartet No. 12 ’Quartettsatz’, D703: 3. Violin 1 | | String Quartet No. 12 ’Quartettsatz’, D703: 4. Violin 2 | | String Quartet No. 12 ’Quartettsatz’, D703: 5. Viola | | String Quartet No. 12 ’Quartettsatz’, D703: 6. Cello | | String Quartet No. 13 ’Rosamunde’, Op. 29, D804: 1. Complete | | String Quartet No. 13 ’Rosamunde’, Op. 29, D804: 2. Score | | String Quartet No. 13 ’Rosamunde’, Op. 29, D804: 3. Violin 1 | | String Quartet No. 13 ’Rosamunde’, Op. 29, D804: 4. Violin 2 | | String Quartet No. 13 ’Rosamunde’, Op. 29, D804: 5. Viola | | String Quartet No. 13 ’Rosamunde’, Op. 29, D804: 6. Cello | | String Quartet No. 14 ’Death and the Maiden’, D810: 1. Complete | | String Quartet No. 14 ’Death and the Maiden’, D810: 2. Score | | String Quartet No. 14 ’Death and the Maiden’, D810: 3. Violin 1 | | String Quartet No. 14 ’Death and the Maiden’, D810: 4. Violin 2 | | String Quartet No. 14 ’Death and the Maiden’, D810: 5. Viola | | String Quartet No. 14 ’Death and the Maiden’, D810: 6. Cello | | String Quartet No. 15, Op. 161, D887: 1. Complete | | String Quartet No. 15, Op. 161, D887: 2. Score | | String Quartet No. 15, Op. 161, D887: 3. Violin 1 | | String Quartet No. 15, Op. 161, D887: 4. Violin 2 | | String Quartet No. 15, Op. 161, D887: 5. Viola | | String Quartet No. 15, Op. 161, D887: 6. Cello | String Trios | Trios | | Andante Sostenuto, D. 471, for Violin, Viola, Cello: 1. Complete | | Andante Sostenuto, D. 471, for Violin, Viola, Cello: 2. Score | | Andante Sostenuto, D. 471, for Violin, Viola, Cello: 3. Violin | | Andante Sostenuto, D. 471, for Violin, Viola, Cello: 4. Viola | | Andante Sostenuto, D. 471, for Violin, Viola, Cello: 5. Cello | Choral | Die Allmacht | Chorus | | Die Allmacht, Op. 79, No. 2 (Arr. by F. Liszt) (Soprano or Tenor, Chorus) | Composition | | Die Allmacht, Op. 79, No. 2 (Arr. by F. Liszt) | | Die Allmacht, Op. 79, No. 2 (Arr. by F. Liszt) (Soprano or Tenor, Chorus) | Soprano | | Die Allmacht, Op. 79, No. 2 (Arr. by F. Liszt) (Soprano or Tenor, Chorus) | Tenor | | Die Allmacht, Op. 79, No. 2 (Arr. by F. Liszt) (Soprano or Tenor, Chorus) | Mass No. 1 | Alto | | 2. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Alto, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | 8. Dona nobis pacem (Soprano, Alto, Tenor, Bass, Chorus) | Bass | | 2. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Alto, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | 8. Dona nobis pacem (Soprano, Alto, Tenor, Bass, Chorus) | Chorus | | 2. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Alto, Bass, Chorus) | | 5. Sanctus (Chorus) | | 6. Benedictus qui venit (Soprano, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | 8. Dona nobis pacem (Soprano, Alto, Tenor, Bass, Chorus) | Composition | | 1. Mass No. 1 in F Major: Complete | | 2. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Alto, Bass, Chorus) | | 5. Sanctus (Chorus) | | 6. Benedictus qui venit (Soprano, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | 8. Dona nobis pacem (Soprano, Alto, Tenor, Bass, Chorus) | | Benedictus qui venit (Quartet) | Soprano | | 2. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 6. Benedictus qui venit (Soprano, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | 8. Dona nobis pacem (Soprano, Alto, Tenor, Bass, Chorus) | Soprano | | Benedictus qui venit (Quartet) | Tenor | | 2. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | 8. Dona nobis pacem (Soprano, Alto, Tenor, Bass, Chorus) | | Benedictus qui venit (Quartet) | Mass No. 2 | Bass | | 3. Gloria in excelsis Deo (Soprano, Tenor, Bass) | | 6. Benedictus qui venit (Soprano, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Bass, Chorus) | | Benedictus qui venit (Trio) | Chorus | | 2. Kyrie eleison (Soprano, Chorus) | | 4. Credo in unum Deum (Chorus) | | 5. Sanctus (Chorus) | | 6. Benedictus qui venit (Soprano, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Bass, Chorus) | Composition | | 1. Mass No. 2 in G Major: Complete | | 2. Kyrie eleison (Soprano, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Tenor, Bass) | | 4. Credo in unum Deum (Chorus) | | 5. Sanctus (Chorus) | | 6. Benedictus qui venit (Soprano, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Bass, Chorus) | | Benedictus qui venit (Trio) | Soprano | | 2. Kyrie eleison (Soprano, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Tenor, Bass) | | 6. Benedictus qui venit (Soprano, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Bass, Chorus) | Soprano | | Benedictus qui venit (Trio) | Tenor | | 3. Gloria in excelsis Deo (Soprano, Tenor, Bass) | | 6. Benedictus qui venit (Soprano, Tenor, Bass, Chorus) | | Benedictus qui venit (Trio) | Mass No. 3 | Alto | | 4. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 6. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | Benedictus qui venit (Quartet) | | Et incarnatus est (Quartet) | Bass | | 3. Gloria in excelsis Deo (Soprano, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 6. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | Benedictus qui venit (Quartet) | | Et incarnatus est (Quartet) | Chorus | | 2. Kyrie eleison (Chorus) | | 3. Gloria in excelsis Deo (Soprano, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 5. Sanctus (Chorus) | | 6. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Composition | | 1. Mass No. 3, Op. 141: Complete | | 2. Kyrie eleison (Chorus) | | 3. Gloria in excelsis Deo (Soprano, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 5. Sanctus (Chorus) | | 6. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | Benedictus qui venit (Quartet) | | Et incarnatus est (Quartet) | Soprano | | 3. Gloria in excelsis Deo (Soprano, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 6. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Soprano | | Benedictus qui venit (Quartet) | | Et incarnatus est (Quartet) | Tenor | | 3. Gloria in excelsis Deo (Soprano, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 6. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | Benedictus qui venit (Quartet) | | Et incarnatus est (Quartet) | Mass No. 4 | Alto | | 2. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 5. Sanctus (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Bass | | 2. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 5. Sanctus (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Chorus | | 2. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 5. Sanctus (Soprano, Alto, Tenor, Bass, Chorus) | | 6. Benedictus qui venit (Soprano, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Composition | | 1. Mass No. 4, Op. 48: Complete | | 2. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 5. Sanctus (Soprano, Alto, Tenor, Bass, Chorus) | | 6. Benedictus qui venit (Soprano, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Soprano | | 2. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 5. Sanctus (Soprano, Alto, Tenor, Bass, Chorus) | | 6. Benedictus qui venit (Soprano, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Tenor | | 2. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 3. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 4. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 5. Sanctus (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Mass No. 5 | Alto | | 1. 1. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 1. 2. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 1. 3. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 5. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 6. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Bass | | 1. 1. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 1. 2. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 1. 3. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 5. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 6. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Chorus | | 1. 1. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 1. 2. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 1. 3. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 4. Sanctus (Chorus) | | 2. 5. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 6. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 7. Cum sancto spiritu (Chorus) | | 2. 8. Osanna (Choral) | Composition | | 1. 0. Mass No. 5 in A flat Major, Part 1: Complete | | 1. 1. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 1. 2. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 1. 3. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 0. Mass No. 5 in A flat Major, Part 2: Complete | | 2. 4. Sanctus (Chorus) | | 2. 5. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 6. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 7. Cum sancto spiritu (Chorus) | | 2. 8. Osanna (Choral) | Soprano | | 1. 1. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 1. 2. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 1. 3. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 5. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 6. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Tenor | | 1. 1. Kyrie eleison (Soprano, Alto, Tenor, Bass, Chorus) | | 1. 2. Gloria in excelsis Deo (Soprano, Alto, Tenor, Bass, Chorus) | | 1. 3. Credo in unum Deum (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 5. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 2. 6. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Mass No. 6 | Alto | | 6. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Bass | | 6. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Chorus | | 2. Kyrie eleison (Chorus) | | 3. Gloria in excelsis Deo (Chorus) | | 4. Credo in unum Deum (Soprano, Tenor, Chorus) | | 5. Sanctus (Chorus) | | 6. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Composition | | 1. Mass No. 6 in E flat Major: Complete | | 2. Kyrie eleison (Chorus) | | 3. Gloria in excelsis Deo (Chorus) | | 4. Credo in unum Deum (Soprano, Tenor, Chorus) | | 5. Sanctus (Chorus) | | 6. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | Et incarnatus est (Trio) | Soprano | | 4. Credo in unum Deum (Soprano, Tenor, Chorus) | | 6. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | Soprano | | Et incarnatus est (Trio) | Tenor | | 4. Credo in unum Deum (Soprano, Tenor, Chorus) | | 6. Benedictus qui venit (Soprano, Alto, Tenor, Bass, Chorus) | | 7. Agnus Dei (Soprano, Alto, Tenor, Bass, Chorus) | | Et incarnatus est (Trio) | Miriam's Song of Triumph | Chorus | | 2. Strike your timbrels, Hebrew maidens (Soprano, Chorus) | | 3. As we pass, the sky grows darker (Soprano, Chorus) | | 5. Egypt’s king (Soprano, Chorus) | | 6. Strike your timbrels, Hebrew maidens (reprise) (Soprano, Chorus) | Composition | | 1. Miriam’s Song of Triumph, Op. 136: Complete | | 2. Strike your timbrels, Hebrew maidens (Soprano, Chorus) | | 3. As we pass, the sky grows darker (Soprano, Chorus) | | 4. Tis the Lord in all His fury (Chorus) | | 5. Egypt’s king (Soprano, Chorus) | | 6. Strike your timbrels, Hebrew maidens (reprise) (Soprano, Chorus) | Soprano | | 2. Strike your timbrels, Hebrew maidens (Soprano, Chorus) | | 3. As we pass, the sky grows darker (Soprano, Chorus) | | 5. Egypt’s king (Soprano, Chorus) | | 6. Strike your timbrels, Hebrew maidens (reprise) (Soprano, Chorus) | Stabat Mater | Bass | | 8. Sohn des Vaters (Bass) | | 10. Erdenfreuden und ihr Elend (Soprano, Tenor, Bass) | | 11. Das dereinst wir (Soprano, Tenor, Bass, Chorus) | | Erdenfreuden und ihr Elend (Trio) | | Sohn des Vaters (Aria) | Chorus | | 1a. Jesus Christus schwebt (Chorus) | | 3. Liebend neiget er sein Antlitz (Chorus) | | 5. Wer wird Zahren sanften Mitleids (Chorus) | | 7. Erben sollen sie am Throne (Chorus) | | 9. O du herrlicher (Chorus) | | 11. Das dereinst wir (Soprano, Tenor, Bass, Chorus) | | 12. Amen, amen (Chorus) | Composition | | 1. Stabat Mater: Complete | | 1a. Jesus Christus schwebt (Chorus) | | 2. Bei des Mittlers Kreuze (Soprano) | | 3. Liebend neiget er sein Antlitz (Chorus) | | 4. Engel freuten sich der Wonne (Soprano, Tenor) | | 5. Wer wird Zahren sanften Mitleids (Chorus) | | 6. Ach, was hatten wir empfunden (Tenor) | | 7. Erben sollen sie am Throne (Chorus) | | 8. Sohn des Vaters (Bass) | | 9. O du herrlicher (Chorus) | | 10. Erdenfreuden und ihr Elend (Soprano, Tenor, Bass) | | 11. Das dereinst wir (Soprano, Tenor, Bass, Chorus) | | 12. Amen, amen (Chorus) | | Ach, was hatten wir (Aria) | | Erdenfreuden und ihr Elend (Trio) | | Gazing on the crucifixion of her Son (Aria) | | Hear the worlds of comfort spoken (Duet) | | Sohn des Vaters (Aria) | Soprano | | 2. Bei des Mittlers Kreuze (Soprano) | | 4. Engel freuten sich der Wonne (Soprano, Tenor) | | 10. Erdenfreuden und ihr Elend (Soprano, Tenor, Bass) | | 11. Das dereinst wir (Soprano, Tenor, Bass, Chorus) | Soprano | | Erdenfreuden und ihr Elend (Trio) | | Gazing on the crucifixion of her Son (Aria) | | Hear the worlds of comfort spoken (Duet) | Tenor | | 4. Engel freuten sich der Wonne (Soprano, Tenor) | | 6. Ach, was hatten wir empfunden (Tenor) | | 10. Erdenfreuden und ihr Elend (Soprano, Tenor, Bass) | | 11. Das dereinst wir (Soprano, Tenor, Bass, Chorus) | | Ach, was hatten wir (Aria) | | Erdenfreuden und ihr Elend (Trio) | | Hear the worlds of comfort spoken (Duet) | Tantum Ergo | Alto | | Tantum Ergo (Soprano, Alto, Tenor, Bass, Chorus) | Bass | | Tantum Ergo (Soprano, Alto, Tenor, Bass, Chorus) | Chorus | | Tantum Ergo (Soprano, Alto, Tenor, Bass, Chorus) | Composition | | Tantum Ergo | | Tantum Ergo (Soprano, Alto, Tenor, Bass, Chorus) | Soprano | | Tantum Ergo (Soprano, Alto, Tenor, Bass, Chorus) | Tenor | | Tantum Ergo (Soprano, Alto, Tenor, Bass, Chorus) | Songs | Die schone Mullerin | All Voices | | Die schone Mullerin, Op. 25: 1. Das Wandern | | Die schone Mullerin, Op. 25: 2. Wohin? | | Die schone Mullerin, Op. 25: 3. Halt! | | Die schone Mullerin, Op. 25: 4. Danksagung an den Bach | | Die schone Mullerin, Op. 25: 5. Am Feierabend | | Die schone Mullerin, Op. 25: 6. Der Neugierige | | Die schone Mullerin, Op. 25: 7. Ungeduld | | Die schone Mullerin, Op. 25: 8. Morgengruss | | Die schone Mullerin, Op. 25: 9. Des Mullers Blumen | | Die schone Mullerin, Op. 25: 10. Tranenregen | | Die schone Mullerin, Op. 25: 11. Mein! | | Die schone Mullerin, Op. 25: 12. Pause | | Die schone Mullerin, Op. 25: 13. Mit dem grunen Lautenbande | | Die schone Mullerin, Op. 25: 14. Der Jager | | Die schone Mullerin, Op. 25: 15. Eifersucht und Stolz | | Die schone Mullerin, Op. 25: 16. Die liebe Farbe | | Die schone Mullerin, Op. 25: 17. Die bose Farbe | | Die schone Mullerin, Op. 25: 18. Trockne Blumen | | Die schone Mullerin, Op. 25: 19. Der Muller und der Bach | | Die schone Mullerin, Op. 25: 20. Des Baches Wiegenlied | Favorites | | Die schone Mullerin, Op. 25: 1. Das Wandern | | Die schone Mullerin, Op. 25: 2. Wohin? | | Die schone Mullerin, Op. 25: 19. Der Muller und der Bach | | Die schone Mullerin, Op. 25: 20. Des Baches Wiegenlied | Low Voice | | 1. Das Wandern | | 2. Wohin? | | 3. Halt! | | 4. Danksagung an den Bach | | 5. Am Feierabend | | 6. Der Neugierige | | 7. Ungeduld | | 8. Morgengruss | | 9. Des M?llers Blumen | | 10. Tranenregen | | 11. Mein! | | 12. Pause | | 13. Mit dem grunen Lautenbande | | 14. Der Jager | | 15. Eifersucht und Stolz | | 16. Die liebe Farbe | | 17. Die bose Farbe | | 18. Trockne Blumen | | 19. Der Muller und der Bach | | 20. Des Baches Wiegenlied | Medium Voice | | 1. Das Wandern | | 2. Wohin? | | 3. Halt! | | 4. Danksagung an den Bach | | 5. Am Feierabend | | 6. Der Neugierige | | 7. Ungeduld | | 8. Morgengruss | | 9. Des Mullers Blumen | | 10. Tranenregen | | 11. Mein! | | 12. Pause | | 13. Mit dem gr?nen Lautenbande | | 14. Der Jager | | 15. Eifersucht und Stolz | | 16. Die liebe Farbe | | 17. Die bose Farbe | | 18. Trockne Blumen | | 19. Der Muller und der Bach | | 20. Des Baches Wiegenlied | Schwanengesang | All Voices | | Schwanengesang: 1. Liebesbotschaft | | Schwanengesang: 2. Kriegers Ahnung | | Schwanengesang: 3. Fruhlingssehnsucht | | Schwanengesang: 4. Standchen | | Schwanengesang: 5. Aufenthalt | | Schwanengesang: 6. In der Ferne | | Schwanengesang: 7. Abschied | | Schwanengesang: 8. Der Atlas | | Schwanengesang: 9. Ihr Bild | | Schwanengesang: 10. Das Fischermadchen | | Schwanengesang: 11. Die Stadt | | Schwanengesang: 12. Am Meer | | Schwanengesang: 13. Der Doppelganger | | Schwanengesang: 14. Dei Taubenpost | Low Voice | | 1. Liebesbotschaft | | 2. Kriegers Ahnung | | 3. Fruhlingssehnsucht | | 4. Standchen | | 5. Aufenthalt | | 6. In der Ferne | | 7. Abschied | | 8. Der Atlas | | 9. Ihr Bild | | 10. Das Fischermadchen | | 11. Die Stadt | | 12. Am Meer | | 13. Der Doppelganger | | 14. Die Taubenpost | Medium Voice | | 1. Liebesbotschaft | | 2. Kriegers Ahnung | | 3. Fruhlingssehnsucht | | 4. Standchen | | 5. Aufenthalt | | 6. In der Ferne | | 7. Abschied | | 8. Der Atlas | | 9. Ihr Bild | | 10. Das Fischermadchen | | 11. Die Stadt | | 12. Am Meer | | 13. Der Doppelganger | | 14. Die Taubenpost | Songs (individual) | All Voices | | Abend, der (Kosegarten), Op. 118, No. 2 | | Abend, der (Matthisson) | | Abendbilder (Silbert) | | Abendlied | | Abendlied | | Abendlied (Claudius) | | Abendlied der Furstin | | Abendlied fur die Entfernte | | Abendroth, das (Schreiber) Op. 173, No. 6 | | Abendrothe (Schlegel) | | Abendstandchen (Baumberg) | | Abendstern (Mayrhofer) | | Abends unter der Linde I (Kosegarten) | | Abends unter der Linde II (Kosegarten) | | Abgebluhte Linde, die (Szechenyi), Op. 7, No. 1 | | Abschied (Mayrhofer) | | Abschied von der Erde (melodrama) (Pratobevera) | | Abschied von der Harfe (Salis-Seewis) | | Abschied von einem Freunde (Schubert) | | Adelaide (Mathisson) | | Adelwold und Emma (Bertrand) | | Adieu! | | Alinde (Rochlitz), Op. 81, No. 4 | | Alles um Liebe (Kosegarten) | | Allmacht, die (Pyrker), Op. 79, No. 2 | | Alpenjager, der (Mayrhofer), Op. 13, No. 3 | | Alpenjager, der (Schiller), Op. 37, No. 2 | | Als ich sie errothen sah (Ehrlich) | | Alte Liebe rostet nie (Mayrhofer) | | Am Bach im Fruhling (Schober), Op. 109, No. 1 | | Am Fenster (Seidl) | | Am Flusse (Version 2) (Goethe) | | Am Flusse (version 1) (Goethe) | | Am Grabe Anselmos (Claudius) | | Am See (Bruchmann) | | Am See (Mayrhofer) | | Am Strome (Mayrhofer), Op. 8, No. 4 | | Amalia (Schiller) | | Ammenlied (M. Lubi) | | Amphiaraos (Korner) | | An Chloen (Jacobi) | | An Emma (Schiller), Op. 58, No. 2 | | An Emma I (Schiller) | | An Emma II (Schiller) | | An Mignon (Goethe), Op. 19, No. 2 | | An Rosa I (Kosegarten) | | An Rosa II (Kosegarten) | | An Schwager Kronos (Goethe), Op. 19, No. 1 | | An Sie (Klopstock) | | An Silvia (Shakespeare), Op. 106, No. 4 | | An den Fruhling (Schiller) | | An den Mond (Holty), Op. 57, No. 3 | | An den Mond I (Goethe) | | An den Mond I (Holty ) | | An den Mond II (Goethe) | | An den Mond in einer Herbstnact (Schreiber) | | An den Schlaf | | An den Tod (Schreiber) | | Andenken | | An die Apfelbaume (Holty) | | An die Entfernte (Goethe) | | An die Freude (Schiller), Op. 111, No. 1 | | An die Freunde (Mayrhofer) | | An die Geliebte (Stoll) | | An die Laute (Rochlitz), Op. 81, No. 2 | | An die Leier (Bruchmann), Op. 56, No. 2 | | An die Musik (Schober), Op. 88, No. 4 | | An die Nachtigall (Claudius) | | An die Nachtigall (Holty), Op. 172, No. 3 | | An die Natur (Stolberg) | | An die Sonne (Baumberg), Op. 118, No. 5 | | An die Sonne (Tiedge) | | An die untergehende Sonne (Kosegarten), Op. 44 | | An eine Quelle (Claudius), Op. 109, No. 3 | | An mein Herz (Schulze) | | An mein Klavier (Schubart) | | Antigone und Oedip (Mayrhofer), Op. 6, No. 2 | | Antonius und Cleopatra (Shakespeare) | | Atys (Mayrhofer) | | Auf dem See (Goethe), Op. 92, No. 2 | | Auf dem Strom (Rellstab), Op. 119 | | Auf dem Wasser zu singen (Stollberg), Op. 72 | | Auf den Sieg der Deutschen | | Auf den Tod einer Nachtigall (Holty) | | Auf der Bruck (Schulze), Op. 93, No. 2 | | Auf der Donau (Mayrhofer), Op. 21, No. 1 | | Auf der Riesenkoppe (Korner) | | Auf einem Kirchhof (Schlechta) | | Auflosing (Mayrhofer) | | Augenlied (Mayrhofer) | | Aus Diego Manazares | | Ave Maria ’Ellens Gesang III’ (Scott), Op. 52, No. 6 | | Befreier Europas in Paris, die (Mikan) | | Bei dem Grabe meines Vaters (Claudius) | | Bei dir (Seidl ), Op. 95, No. 2 | | Beim Winde (Mayrhofer) | | Berge, die (Schlegel), Op. 57, No. 2 | | Bertha’s Lied in der Nacht (Grillparzer) | | Betende, die (Mathisson) | | Bild, das, Op. 165, No. 3 | | Blanka (Schlegel) | | Blinde Knabe, der (Cibber/Craigher), Op. 101 | | Blondel zu Marien (Grillparzer) | | Blumen Schmerz, der (Maylath), Op. 173, N0. 4 | | Blumenballade ’Viola’ (Schober), Op. 123 | | Blumenbrief, der (Schreiber) | | Blumenlied (Holty) | | Blumensprache, die (Platner), Op. 173, No. 5 | | Bundeslied (Goethe) | | Burgschaft, die (Schiller) | | Cavatine (Schober), Op. 69 | | Cora an die Sonne (Baumberg) | | Cronnan (Harold) | | Daphne am Bach (Stolberg) | | Da quel sembiante appresi (Metastasio) | | Dass sei hier gewesen (Ruckert), Op. 59, No. 2 | | Delphine (Schutz), Op. 124, No. 1 | | Der Hirt auf dem Felsen for Clarinet, Soprano and Piano | | Der Vollmond strahlt (Chezy), Op. 26 | | Des Madchens Klage (Schiller), Op. 58, No. 3 | | Des Madchens Klage (Version 1) (Schiller) | | Des Madchens Klage (Version 2) (Schller) | | Des Madchens Klage (Version 3) (Schiller) | | Des Sangers Habe (Schlechta) | | Dithyrambe (Schiller), Op. 60, No. 2 | | Don Gayseros (Fouque) | | Drang in die Ferne (Leitner), Op. 71 | | Du Bist die Ruh (Ruckert), Op. 59, No. 3 | | Du liebst mich nicht (Platen), Op. 59, No. 1 | | Echo, das (Castelli), Op. 130 | | Ein Fraulein schaut (Kenner), Op. 126 | | Eine altschottische Ballade (Herder), Op. 165, No. 5 | | Einsame, der (Lappe), Op. 41 | | Einsamkeit, die (Mayrhofer) | | Einsiedelei, die I (Salis-Seewis) | | Einsiedelei, die II (Salis-Seewis) | | Ellens Gesang I (Scott), Op. 52, No. 1 | | Ellens Gesang II (Scott), Op. 52, No. 2 | | Ellens Gesang III ’Ave Maria’ (Scott), Op. 52, No. 6 | | Elysium (Schiller) | | Entfernten, der (Salis-Seewis) | | Entsuhnte Orest, der (Mayrhofer) | | Entzuckung (Matthisson) | | Entzuckung an Laura, die | | Epistel (Collin) | | Erinnerung (Matthisson) | | Erinnerungen (Matthisson) | | Erlafsee (Mayrhofer), Op. 8, No. 3 | | Erlkonig (Goethe), Op. 1 | | Erntelied (Holty) | | Erster Verlust (Goethe), Op. 5, No. 4 | | Erwartung, die (Schiller), Op. 116 | | Fahrt zum Hades (Mayrhofer) | | Faust Scene (Goethe) | | Finden, das (Kosegarten) | | Fischer, der (Leitner), Op. 5, No. 3 | | Fischerlied (Version I) (Salis-Seewis) | | Fischerlied (Version II) (Salis-Seewis) | | Fischers Liebesgluck, des (Leitner) | | Fischerweise (Schlechta), Op. 96, No. 4 | | Florio (Schutz), Op. 124, No. 2 | | Fluchting, der (Schiller) | | Flug der Zeit, der (Szechenyi), Op. 7, No. 2 | | Fluss, der (Schlegel) | | Forelle, die (Schubart), Op. 32 | | Fragment aus dem Aeschylus (Mayrhofer) | | Freiwilliges Versinken (Mayrhofer) | | Freude der Kinderjahre (Kalbeck) | | Frohlichkeit, die (Prandstetter) | | Frohsinn (Castelli) | | Fruhe Liebe, die (H?lty) | | Fruhen Graber, die (Klopstock) | | Fruhlingsglaube (Uhland), Op. 20, No. 2 | | Fruhlingslied (Holty) | | Fulle der Liebe (Schlegel) | | Furcht der Geliebten (Klopstock) | | Ganymed (Goethe), Op. 19, No. 3 | | Gebet wahrend der Schlacht (Korner) | | Gebusche, die (Schlegel) | | Gefangenen Sanger, die (Schlegel) | | Geheimes (Goethe), Op. 14, No. 2 | | Geheimness, das (Schiller), Op. 173, No. 2 | | Geheimniss (Mayrhofer) | | Geist der Liebe (Kosegarten), Op. 118, No. 1 | | Geist der Liebe (Matthisson) | | Geisternahe (Matthisson) | | Geistertanz, der (Mathisson) | | Geistesgruss (Goethe), Op. 92, No. 3 | | Geistliche Lieder (Klopstock) | | Genugsamkeit (Schober), Op. 109, No. 2 | | Gesang an die Harmonie (Salis-Seewis) | | Gesang der Norna (Scott), Op. 85, No. 2 | | Gesange des Harfners No. 1 (Goethe), Op. 12 | | Gesange des Harfners No. 2 (Goethe), Op. 12 | | Gesange des Harfners No. 3 (Goethe), Op. 12 | | Gestirne, die (Klopstock) | | Gestorte Gl?ck, das (Korner) | | Glaube, Hoffnung und Liebe (Kuffner), Op. 97 | | Goldschmiedsgesell, der (Goethe) | | Gondelfahrer (Mayrhofer) | | Gotter Griechenlands, die (Schiller) | | Gott im Fruhling (Uz) | | Gott und die Bajadere, der (Goethe) | | Grab, Das (Salis-Seewis) | | Grablied (Kenner) | | Grablied fur die Mutter | | Greisengesang (R?ckert), Op. 60, No. 1 | | Grenzen der Menschheit (Goethe) | | Gretchen am Spinnrade (Goethe), Op. 2 | | Gretchens Bitte (Goethe) | | Grosse Halleluja, das (Klopstock) | | Gruppe aus dem Tartarus (Schiller ), Op. 24, No. 1 | | Guarda, che bianca luna (Metastasio) | | Gute Hirte, der (Uz) | | Hagars Klage (Schucking) | | Hanflings Liebeswerbung (Kind), Op. 20, No. 3 | | Heidenroslein (Goethe), Op. 3, No. 3 | | Heimliches Lieben (Klenke), Op. 106, No. 1 | | Heimweh, das (Hell/Kalbeck) | | Heimweh, das (Pyrker), Op. 79, No. 1 | | Hektors Abschied (Schiller), Op. 58 | | Heliolpolis (Mayrhofer), Op. 65, No. 3 | | Heliopolis (Schulze) | | Herbst (Rellstab) | | Herbstabend, der (Seewis) | | Herbstlied (Salis-Seewis) | | Hermann und Thusnelda (Klopstock) | | Herrn Joseph Spaun (Collin) | | Himmelsfunken (Silbert) | | Hin und wieder fliegen Pfeile (Goethe) | | Hippolit?s Lied (Schopenhauer) | | Hirt, der (Mayrhofer) | | Hirt auf dem Felsen, der (Muller), Op. 129 | | Hochzeit-Lied (Jacobi) | | Hoffnung (Goethe) | | Hoffnung I (Schiller) | | Hoffnung II (Schiller), Op. 87, No. 2 | | Huldigung (Kosegarten) | | Hymne I (Novalis) | | Hymne II (Novalis) | | Hymne III (Novalis) | | Hymne IV (Novalis) | | Idens Nachtgesang (Kosegarten) | | Idens Schwanenlied (Kosegarten) | | Ihr Grab | | Il modo di prender moglie (Metastasio), Op. 83, No. 3 | | Il traditor deluso (Metastasio), Op. 83, No. 2 | | Im Abendrot (Lappe) | | Im Freien (Seidl) | | Im Fruhling (Schulze) | | Im Haine (Bruchmann), Op. 56, No. 3 | | Im Walde ’Waldes-Nacht’ (Schulze), Op. 93, No. 1 | | In?s stille Land (Salis-Seewis) | | In der Mitternacht (Jacobi) | | Iphigenia (Mayrhofer), Op. 98, No. 3 | | Irdisches Gluck (Seidl), Op. 95, No. 4 | | Jagdlied (Werner) | | Jagers Abendlied (Goethe), Op. 3, No. 4 | | Jagers Liebeslied (Schober), Op. 96, No. 2 | | Julius an Theone (Matthisson) | | Junge Nonne, die (Craigher), Op. 43, No. 1 | | Jungling am Bache, der I (Schiller) | | Jungling am Bache, der II (Schiller) | | Jungling am Bache, der III (Schiller), Op. 87, No. 3 | | Jungling an der Quelle, der (Salis-Seewis) | | Jungling auf dem Hugel, der (Huttenbrenner), Op. 8, No. 1 | | Jungling und der Tod, der | | Kampf, der (Schiller), Op. 110 | | Klage (Holty) | | Klage (Matthisson) | | Klage an den Mond (Holty) | | Klage der Ceres (Schiller) | | Klaglied (Rochlitz), Op. 131, No. 3 | | Klarchens Lied (Goethe) | | Knabe, der (Schlegel) | | Knabe in der Wiege, der (Ottenwalt) | | Knabenzeit, die (Holty) | | Kolmas Klage (Ossian) | | Konig in Thule, der (Goethe), Op. 5, No. 5 | | Kreuzzug, der (Leitner) | | L?incanto degli occhi (Metastasio), Op. 83, No. 1 | | Labetrank der Liebe (Stoll) | | Lachen und Weinen (Ruckert), Op. 59, No. 4 | | Lambertine (Stoll) | | La pastorella (Goldoni) | | Laube, die (Holty), Op. 172, No. 2 | | Laura am Klavier (Schiller) | | Lebenslied (Mathisson) | | Lebensmelodien (Schlegel), Op. 111, No. 2 | | Lebensmuth (Rellstab) | | Lebensmuth (Schulze) | | Leichenphantasie (Schiller) | | Leidende, der (Version 1) | | Leidende, der (Version 2) | | Leiden der Trennung (Metastasio) | | Liane (Mayrhofer) | | Licht und Liebe ’Nachtgesang’ (Collin) | | Lieb Minna (Stadler) | | Liebe, die (Goethe) | | Liebe, die (Leon) | | Liebende, der (Holty) | | Liebende schreibt, die (Goethe), Op. 165, No. 1 | | Liebe schwarmt auf allen Wegen (Goethe) | | Liebesgotter, die (Uz) | | Liebeslauschen (Schelchta) | | Liebesrausch (Korner) | | Liebestandelei (Korner) | | Liebhaber in allen Gestalten (Goethe) | | Liebliche Stern, der (Schulze) | | Lied (Fouque) | | Lied (Pichler) | | Lied (Schiller) | | Lied aus der Ferne (Matthisson) | | Lied der Anna Lyle (Scott), Op. 85, No. 1 | | Lied der Liebe (Matthisson) | | Lied der Mignon (Goethe) (Version 1) | | Lied der Mignon (Goethe) (Version 2), Op. 62, No. 2 | | Lied der Mignon (Goethe) (Version 3), Op. 62, No. 3 | | Lied der Mignon (Goethe) (Version 4), Op. 62, No. 4 | | Lied der Mignon (Goethe), Op. 62, No. 4 | | Lied des gefangenen Jager (Scott), Op. 52, No. 7 | | Lied eines Kriegers | | Lied eines Schiffers an die Dioskuren (Mayrhofer), Op. 65, No. 1 | | Liedesend (Mayrhofer) | | Lied for Soprano, Basso and Orchestra | | Lied im Grunen, das (Reil), Op. 115, No. 1 | | Liedler, der (Kenner), Op. 38 | | Lied vom Reifen (Claudius) | | Lilla an die Morgenrote | | Litanei (Jacobi) | | Lob der Tranen (Schlegel), Op. 13, No. 2 | | Lob des Tokayers (Baumberg), Op. 118, No. 4 | | Lodas Gespenst (Harold) | | Luisens Antwort (Kosegarten) | | Macht der Liebe, die (Kalchberg) | | Madchen, das (Schlegel) | | Madchen aus der Fremde, das (Schiller) | | Madchen von Inistore, das (Ossian) | | Mainacht, die (Holty) | | Manner sind mechant!, die (Seidl), Op. 95, No. 3 | | Marie (Novalis) | | Meeres Stille (Goethe), Op. 3, No. 2 | | Mein Gruss an den Mai (Ermin) | | Memnon (Mayrhofer), Op. 6 | | Mignon (Goethe) | | Mignon I (Goethe) | | Mignons Gesang | | Mignon und der Harfner (duet) (Goethe) | | Minnelied (Holty) | | Minona (Bertrand) | | Mio ben ricordati (Metastasio) | | Misero pargoletto (Metastasio) | | Mondabend, der (Ermin), Op. 131, No. 1 | | Mondnacht, die (Kosegarten) | | Morgenkuss, der (Baumberg) | | Morgenlied | | Morgenlied (Stolberg) | | Morgenlied (Werner), Op. 4, No. 4 | | Musensohn, der (Goethe), Op. 91, No. 1 | | Mutter Erde, die (Stolberg) | | N?he des Geliebten (Goethe), Op. 5, No. 2 | | Nach einem Gewitter (Mayrhofer) | | Nacht, die (Ossian/Harold) | | Nacht, die (Uz) | | Nachtgesang ’Licht und Liebe’ (Collin) | | Nachtgesang (Goethe) | | Nachtgesang (Kosegarten) | | Nachthymne (Novalis) | | Nachtstuck (Mayrhofer), Op. 36, No. 2 | | Nacht und Traume (Collin), Op. 43, No. 2 | | Nachtviolen (Mayrhofer) | | Namenstaglied (Stadler) | | Naturgenuss (Mathisson) | | Nonne, die (Holty) | | Non t?accostar all? urna (Metastasio) | | Normanns Gesang (Scott), Op. 52, No. 5 | | Orest auf Tauris (Mayrhofer) | | Orpheus (Jacobi) | | Ossians Lied (Harold) | | Pax Vobiscum (Schober) | | Pensa, che questo istante (Metastasio) | | Perle, die (Jacobi) | | Pflicht und Liebe (Gotter) | | Pflugerlied (Salis-Seewis) | | Phidile (Claudius) | | Pilgerweise (Schober) | | Pilgrim, der (Schiller), Op. 37, No. 1 | | Prometheus (Goethe) | | Punschlied (duet) (Schiller) | | Rastlose Liebe (Goethe), Op. 5, No. 1 | | Rattenfanger, der (Goethe) | | Ritter Toggenburg (Schiller) | | Romanze (Castelli) | | Romanze (Matthisson) | | Romanze des Richard Lowenherz (Scott), Op. 86 | | Rose, die (Schlegel), Op. 73 | | Rosenband, das (Klopstock) | | Ruckweg (Mayrhofer) | | Sanger, der (Goethe), Op. 117 | | Sanger am Felsen, der (Pichler) | | Sangers Morgenlied I (Korner) | | Sangers Morgenlied II (Korner) | | Scene aus Faust (Goethe) | | Schafers Klagelied (Goethe), Op. 3, No. 1 | | Schafer und der Reiter, der (Fouque), Op. 13, No. 1 | | Schatten, die (Matthisson) | | Schatzgraber, der (Goethe) | | Schiffer, der (Mayrhofer), Op. 21, No. 2 | | Schiffer, der (Schlegel) | | Schiffers Scheidelied (Schober) | | Schlachtgesang (Klopstock) | | Schlaflied ’Schlummerlied’ (Mayrhofer), Op. 24, No. 2 | | Schlummerlied ’Schlaflied’ (Mayrhofer), Op. 24, No. 2 | | Schmetterling, der (Schlegel), Op. 57, No. 1 | | Schwanengesang (Senn), Op. 23, No. 3 | | Schwangesang (Kosegarten) | | Schweizerlied (Goethe) | | Schwertlied (Korner) | | Sehnen, das (Kosegarten), Op. 172, No. 4 | | Sehnsucht (Goethe) | | Sehnsucht (Mayrhofer), Op. 8, No. 2 | | Sehnsucht (Seidl), Op. 105, No. 4 | | Sehnsucht I (Schiller) | | Sehnsucht II (Schiller), Op. 39 | | Sehnsucht der Liebe (Korner) | | Sei mir gegrusst! (R?ckert), Op. 20, No. 1 | | Seligkeit (Holty) | | Selma und Selmar (Klopstock) | | Seufzer (Holty) | | Shilrik und Vinvela (Harold) | | Sieg, der (Mayrhofer) | | Skolie (Deinhardstein) | | Skolie (Matthisson) | | Sommernacht, die (Klopstock) | | Son fra l?onde (Metastasio) | | Sonnet I (Petrarch/Schlegel) | | Sonnet II (Petrarch/Schlegel) | | Sonnet III (Petrarch/Schlegel) | | Spinnerin, die (Goethe), Op. 118, No. 6 | | Sprache der Liebe (Schlegel), Op. 115, No. 3 | | Standchen (Shakespeare/Reil) | | Sterbende, die (Matthisson) | | Sterne, die (Fellinger) | | Sterne, die (Kosegarten) | | Sterne, die (Leitner), Op. 96, No. 1 | | Sterne, die (Schlegel) | | Sternennachte, die (Mayrhofer), Op. 165, No. 2 | | Sternenwelten, die (Jarnik/Fellinger) | | Stimme der Liebe (Stollberg) | | Stimme der Liebe I (Matthisson) | | Stimme der Liebe II (Matthisson) | | Strom, der | | Suleikas zweiter Gesang (Willemer), Op. 31 | | Taglich zu singen (Claudius) | | Taucher, der (Schiller) | | Tauschung, die (Kosegarten), Op. 165, No. 4 | | Thekla (Schiller), Op. 88, No. 2 | | Tiefes Leid (Schulze) | | Tief im Getummel der Schlacht (Schober) | | Tischerlied | | Tischerlied (Goethe), Op. 118, No. 3 | | Tod Oscar?s, der (Harold) | | Todes-Musik (Schober), Op. 108, No. 2 | | Todtengraberlied (Holty) | | Todtengrabers Heimweh (Craigher) | | Todtenkranz fur ein Kind (Matthisson) | | Todtenopfer ’Erinnerung’ (Matthisson) | | Tod und das Madchen, der (Claudius), Op. 7, No. 3 | | Trauer der Liebe (Jacobi) | | Traum, der (Holty), Op. 172, No. 1 | | Trinklied (Castelli), Op. 131, No. 2 | | Trinklied (Zettler) | | Trost | | Trost (Mayrhofer) | | Trost: An Elisa (Matthisson) | | Trost im Liede (Schober) | | Trost in Tranen (Goethe) | | Uber Wildemann (Schulze), Op. 108, No. 1 | | Um Mitternacht (Schulze), Op. 88, No. 3 | | Ungluckliche, der (Pichler), Op. 87, No. 1 | | Unterscheidung, die (Seidl), Op. 95, No. 1 | | Uraniens Flucht (Mayrhofer) | | Vater mit dem Kinde, der (Bauernfeld) | | Vatermorder, der (Pfeffel) | | Vaterslandlied (Klopstock) | | Vedi Quanto Adoro (Metastasio) | | Verfehlte Stunde, die (Schlegel) | | Vergebliche Liebe (Bernard), Op. 173, No. 3 | | Vergissmeinnicht (Schober) | | Verklarung (Herder) | | Versunken (Goethe) | | Vier Weltalter, die (Schiller), Op. 111, No. 2 | | Viola ’Blumenballade’ (Schober), Op. 123 | | Vogel, die (Schlegel), Op. 172, No. 6 | | Vom Mitleiden Maria | | Von Ida (Kosegarten) | | Vor meiner Wiege (Leitner), Op. 106, No. 3 | | Wachtelschlag, der (Sauter), Op. 68 | | Waldes-Nacht ’Im Walde’ (Schulze), Op. 93, No. 1 | | Waldes-Nacht (Schlegel) | | Wallensteiner Lanzknecht, der (Leitner) | | Wanderer,der (Lubeck), Op. 4, No. 1 | | Wanderer, der (Schlegel), Op. 65, No. 2 | | Wanderers Nachtlied (Goethe), Op. 96, No. 3 | | Wandrers Nachtlied (Goethe), Op. 4, No. 3 | | War ich, das (Korner) | | Was belebt die schone Welt (Hofmann) | | Wehmuth (Collin), Op. 22, No. 2 | | Wehmuth, die (Salis-Seewis) | | Weiberfreund, der (Ratschky/Cowley) | | Weinen, das (Leitner), Op. 106, No. 2 | | Wer kauft Liebesgotter (Goethe) | | Wie Ulfru fischt (Mayrhofer), Op. 21, No. 3 | | Wiederschein (Schelchta) | | Wiedersehn (Schlegel) | | Wiegenlied (Korner) | | Wiegenlied (Seidl), Op. 105, No. 2 | | Wiegenlied, Op. 98 | | Willkommen und Abeschied (Goethe), Op. 56, No. 1 | | Winterabend, der (Leitner) | | Winterlied (Holty) | | Wonne der Wehmuth (Goethe), Op. 115, No. 2 | | Z?rnenden Diana, der (Mayrhofer), Op. 36, No. 1 | | Zufriedene, der (Reissig) | | Zufriedenheit (Version I) (Claudius) | | Zufriedenheit (Version II) (Claudius) | | Zugenglocklein, das (Seidl), Op. 80, No. 2 | | Zum Punsche (Mayrhofer) | | Zur Namensfeier des Herrn Andreas Siller | | Zurnenden Barde, der (Bruchmann) | | Zwerg, der (Collin), Op. 22, No. 1 | Favorites | | Abendlied (Claudius) | | An die Musik (Schober), Op. 88, No. 4 | | An die Musik, Op. 88, No. 4 | | An die Musik, Op. 88, No. 4 | | Auf dem Wasser zu singen (Stollberg), Op. 72 | | Auf dem Wasser zu singen, Op. 72 | | Auf dem Wasser zu singen, Op. 72 | | Augenlied (Mayrhofer) | | Ave Maria ’Ellens Gesang III’ (Scott), Op. 52, No. 6 | | Ave Maria, Op. 52, No. 6 | | Ave Maria, Op. 52, No. 6 | | Bild, das, Op. 165, No. 3 | | Des Madchens Klage (Schiller), Op. 58, No. 3 | | Des Madchens Klage, Op. 58, No. 3 | | Du Bist die Ruh (Ruckert), Op. 59, No. 3 | | Du Bist die Ruh, Op. 59, No. 3 | | Ellens Gesang III ’Ave Maria’ (Scott), Op. 52, No. 6 | | Erlkonig (Goethe), Op. 1 | | Erlkonig, Op. 1 | | Erlkonig, Op. 1 | | Forelle, die (Schubart), Op. 32 | | Forelle, die, Op. 32 | | Forelle, die, Op. 32 | | Fruhlingsglaube (Uhland), Op. 20, No. 2 | | Fruhlingsglaube, Op. 20, No. 2 | | Fruhlingsglaube, Op. 20, No. 2 | | Ganymed (Goethe), Op. 19, No. 3 | | Ganymed, Op. 19, No. 3 | | Ganymed, Op. 19, No. 3 | | Geheimes (Goethe), Op. 14, No. 2 | | Geheimes, Op. 14, No. 2 | | Geheimes, Op. 14, No. 2 | | Gesange des Harfners No. 1 (Goethe), Op. 12 | | Gesange des Harfners No. 1, Op. 12 | | Gesange des Harfners No. 1, Op. 12 | | Gesange des Harfners No. 2 (Goethe), Op. 12 | | Gesange des Harfners No. 2, Op. 12 | | Gesange des Harfners No. 2, Op. 12 | | Gesange des Harfners No. 3 (Goethe), Op. 12 | | Gesange des Harfners No. 3, Op. 12 | | Gesange des Harfners No. 3, Op. 12 | | Gretchen am Spinnrade (Goethe), Op. 2 | | Gretchen am Spinnrade, Op. 26 | | Gretchen am Spinnrade, Op. 26 | | Heidenroslein (Goethe), Op. 3, No. 3 | | Heidenroslein, Op. 3, No. 3 | | Heidenroslein, Op. 3, No. 3 | | Hirt auf dem Felsen, der (Muller), Op. 129 | | Hoffnung (Goethe) | | Im Fruhling | | Im Fruhling | | Im Fruhling (Schulze) | | Jagers Abendlied (Goethe), Op. 3, No. 4 | | Jagers Abendlied, Op. 3, No. 4 | | Jagers Abendlied, Op. 3, No. 4 | | Lachen und Weinen (Ruckert), Op. 59, No. 4 | | Lied der Mignon (Goethe), Op. 62, No. 4 | | Lied der Mignon, Op. 62, No. 4 | | Litanei | | Litanei (Jacobi) | | Lob der Tranen (Schlegel), Op. 13, No. 2 | | Lob der Tranen, Op. 13, No. 2 | | Lob der Tranen, Op. 13, No. 2 | | Meeres Stille (Goethe), Op. 3, No. 2 | | Meeres Stille, Op. 3, No. 2 | | Mignon (Goethe) | | Mignons Gesang | | Mignons Gesang | | Mignons Gesang | | Musensohn, der (Goethe), Op. 91, No. 1 | | Musensohn, der, Op. 92, No. 1 | | Musensohn, der, Op. 92, No. 1 | | N?he des Geliebten (Goethe), Op. 5, No. 2 | | Nacht und Traume (Collin), Op. 43, No. 2 | | Nacht und Traume, Op. 43, No. 2 | | Nacht und Traume, Op. 43, No. 2 | | Nahe des Geliebten, Op. 5, No. 2 | | Nahe des Geliebten, Op. 5, No. 2 | | Rastlose Liebe (Goethe), Op. 5, No. 1 | | Rastlose Liebe, Op. 5, No. 1 | | Rastlose Liebe, Op. 5, No. 1 | | Schafers Klagelied (Goethe), Op. 3, No. 1 | | Schafers Klagelied, Op. 3, No. 1 | | Schwanengesang (Senn), Op. 23, No. 3 | | Sei mir gegrusst! (R?ckert), Op. 20, No. 1 | | Sei mir gegrusst!, Op. 20, No. 1 | | Sei mir gegrusst!, Op. 20, No. 1 | | Spinnerin, die (Goethe), Op. 118, No. 6 | | Standchen | | Standchen | | Standchen (Shakespeare/Reil) | | Tod und das Madchen, der (Claudius), Op. 7, No. 3 | | Waldes-Nacht | | Waldes-Nacht (Schlegel) | | Wanderer,der (Lubeck), Op. 4, No. 1 | | Wanderer, der (Schlegel), Op. 65, No. 2 | | Wanderers Nachtlied (Goethe), Op. 96, No. 3 | | Wanderers Nachtlied, Op. 96, No. 3 | | Wanderers Nachtlied, Op. 96, No. 3 | | Wiegenlied, Op. 98 | | Wiegenlied, Op. 98, No. 2 | | Wiegenlied, Op. 98, No. 2 | | Wonne der Wehmuth (Goethe), Op. 115, No. 2 | Low Voice | | Abend, der (Posth.) | | Abendbilder | | Abendlied fur die Entfernte, Op. 88 | | Abendstern (Posth.) | | Alinde, Op. 81, No. 1 | | Allmacht, die, Op. 79, No. 2 | | Alpenjager, der, Op. 13, No. 3 | | Am Fenster, Op. 105, No. 3 | | Am Grabe Anselmos, Op. 6, No. 3 | | Am See (Posth.) | | Am Strome, Op. 8, No. 4 | | An Emma, Op. 68, No. 2 | | An Mignon, Op. 19, No. 2 | | An Schwager Kronos, Op. 19, No. 1 | | An Silvia, Op. 106, No. 4 | | An den Mond (Posth.) | | An den Mond, Op. 57, No. 3 | | An den Tod (Posth.) | | An die Entfernte (Posth.) | | An die Laute, Op. 81, No. 2 | | An die Leier, Op. 52, No. 2 | | An die Musik, Op. 88, No. 4 | | An die Nachtigall, Op. 98, No. 1 | | An eine Quelle, Op. 109, No. 3 | | Aschylus (Posth.) | | Auf dem See, Op. 92, No. 2 | | Auf dem Strom, Op. 119 | | Auf dem Wasser zu singen, Op. 72 | | Auf der Bruck, Op. 93, No. 2 | | Auflosung (Posth.) | | Ave Maria, Op. 52, No. 6 | | Bei dir, Op. 95, No. 2 | | Blinde Knabe, der, Op. 101 | | Blumenbrief, der | | Dass sie hier gewesen, Op. 59, No. 2 | | Delphine, Op. 124, No. 1 | | Des Madchens Klage, Op. 58, No. 3 | | Des Sangers Habe (Posth.) | | Dithyrambe, Op. 60, No. 2 | | Drang in die Ferne, Op. 71 | | Du Bist die Ruh, Op. 59, No. 3 | | Du Liebst mich nicht, Op. 59, No. 1 | | Echo, das, Op. 130 | | Einsame, der, Op. 41 | | Ellens Gesang I, Op. 52, No. 1 | | Ellens Gesang II, Op. 52, No. 2 | | Erlafsee, Op. 8, No. 3 | | Erlkonig, Op. 1 | | Erster Verlust, Op. 5, No. 4 | | Erwartung, die, Op. 116 | | Fahrt zum Hades (Posth.) | | Fischer, der, Op. 5, No. 3 | | Fischers Liebesgluck, des | | Fischerweise, Op. 96, No. 4 | | Florio, Op. 142, No. 2 | | Flug der Zeit, der, Op. 7, No. 2 | | Forelle, die, Op. 32 | | Fruhlingsglaube, Op. 20, No. 2 | | Fulle der Liebe | | Ganymed, Op. 19, No. 3 | | Gebet wahrend der Schlacht | | Gebusche, die (Posth.) | | Geheimes, Op. 14, No. 2 | | Gesange des Harfners No. 1, Op. 12 | | Gesange des Harfners No. 2, Op. 12 | | Gesange des Harfners No. 3, Op. 12 | | Gestirne, die (Posth.) | | Glaube, Hoffnung und Liebe, Op. 97 | | Gott im Fruhling (Posth.) | | Greisengesang, Op. 60, No. 1 | | Gretchen am Spinnrade, Op. 26 | | Gretchens Bitte (Posth.) | | Heidenroslein, Op. 3, No. 3 | | Heimliches Lieben, Op. 106, No. 1 | | Heimweh, das (Posth.) | | Heimweh, das, Op. 79, No. 1 | | Herbst (Post.) | | Himmelsfunken | | Hin und wieder fliegen Pfeile (Posth.) | | Im Abendrot | | Im Freien, Op. 80, No. 3 | | Im Fruhling | | Im Haine, Op. 56, No. 3 | | Im Walde, Op. 93, No. 1 | | Jagers Abendlied, Op. 3, No. 4 | | Jagers Liebeslied, Op. 96, No. 2 | | Jungling an der Quelle, der (Posth.) | | Jungling und der Tod, der (Posth.) | | Leidende, der (Posth.) | | Liebhaber in allen Gestalten (Posth.) | | Lied der Mignon, Op. 62, No. 3 | | Lied der Mignon, Op. 62, No. 4 | | Lied des gefangenen Jagers, Op. 52, No. 7 | | Lied eines Schiffers an die Dioskuren, Op. 65, No. 1 | | Lied im Grunen, das, Op. 115, No. 1 | | Litanei | | Lob der Tranen, Op. 13, No. 2 | | Madchen, das | | Mainacht, die (Posth.) | | Meeres Stille, Op. 3, No. 2 | | Memnon, Op. 6 | | Mignon (Posth.) | | Mignons Gesang | | Minnelied (Posth.) | | Morgenlied, Op. 4, No. 4 | | Musensohn, der, Op. 92, No. 1 | | Nachtstuck, Op. 36, No. 2 | | Nacht und Traume, Op. 43, No. 2 | | Nachtviolen (Posth.) | | Nahe des Geliebten, Op. 5, No. 2 | | Normanns Gesang, Op. 52, No. 5 | | Pax Vobiscum | | Pilgerweise | | Pilgrim, der, Op. 37, No. 1 | | Rastlose Liebe, Op. 5, No. 1 | | Romanze from Rosamunde, Op. 26 | | Rose, die, Op. 73 | | Rosenband, das | | Sanger, der, Op. 117 | | Schafers Klagelied, Op. 3, No. 1 | | Schafer und der Reiter, der, Op. 13, No. 1 | | Schatzgrabers Begehr, Op. 23, No. 4 | | Schiffer, der (Posth.) | | Schiffer, der, Op. 21, No. 2 | | Schiffers Scheidelied | | Schlummerlied (Schlaflied), Op. 24, No. 2 | | Schmetterling, der, Op. 57, No. 1 | | Schwanengesang, Op. 23, No. 3 | | Schwestergruss (Posth.) | | Sehnsucht, Op. 8, No. 2 | | Sehnsucht, Op. 39 | | Sei mir gegrusst!, Op. 20, No. 1 | | Sieg, der (Posth.) | | Sprache der Liebe, Op. 115, No. 3 | | Standchen | | Sterne, die, Op. 96, No. 1 | | Stimme der Liebe | | Suleikas zweiter Gesang, Op. 31 | | Thekla, Op. 88, No. 2 | | Tiefes Leid | | Totengraber-Weise | | Totengrabers Heimweh (Posth.) | | Trost in Tranen | | Uber Wildemann, Op. 108, No. 1 | | Um Mitternacht, Op. 88, No. 3 | | Unendlichen, dem (Posth.) | | Vater mit dem Kinde, der | | Verklarung (Posth.) | | Versunken | | Viola, Op. 123 | | Vogel, die, Op. 172, No. 6 | | Vor meiner Wiege, Op. 106, No. 3 | | Wachtelschlag, der, Op. 68 | | Waldes-Nacht | | Wallensteiner Lanzknecht, der | | Wanderer an den Mond, der, Op. 80, No. 1 | | Wanderers Nachtlied, Op. 96, No. 3 | | Wandrers Nachtlied, Op. 4, No. 3 | | Wehmuth, Op. 22, No. 2 | | Weinen, das, Op. 106, No. 2 | | Wiederschein | | Wiegenlied, Op. 98, No. 2 | | Wiegenlied, Op. 105, No. 2 | | Willkommen und Abeschied, Op. 56, No. 1 | | Zugenglocklein, das, Op. 80, No. 2 | | Zurnenden Diana, der, Op. 36, No. 1 | | Zwerg, der, Op. 22, No. 1 | Medium Voice | | Abend, der (Posth.) | | Abendbilder | | Abendlied fur die Entfernte, Op. 88 | | Abendstern (Posth.) | | Alinde, Op. 81, No. 1 | | Allmacht, die, Op. 79, No. 2 | | Am Fenster, Op. 105, No. 3 | | Am See (Posth.) | | Am Strome, Op. 8, No. 4 | | An Emma, Op. 68, No. 2 | | An Mignon, Op. 19, No. 2 | | An Silvia, Op. 106, No. 4 | | An den Mond (Posth.) | | An den Tod (Posth.) | | An die Entfernte (Posth.) | | An die Laute, Op. 81, No. 2 | | An die Musik, Op. 88, No. 4 | | An die Nachtigall, Op. 98, No. 1 | | An eine Quelle, Op. 109, No. 3 | | Aschylus (Posth.) | | Auf dem See, Op. 92, No. 2 | | Auf dem Wasser zu singen, Op. 72 | | Auf der Bruck, Op. 93, No. 2 | | Auflosung (Posth.) | | Ave Maria, Op. 52, No. 6 | | Bei dir, Op. 95, No. 2 | | Blinde Knabe, der, Op. 101 | | Dass sie hier gewesen, Op. 59, No. 2 | | Delphine, Op. 124, No. 1 | | Des Madchens Klage, Op. 58, No. 3 | | Des Sangers Habe (Posth.) | | Drang in die Ferne, Op. 71 | | Du Bist die Ruh, Op. 59, No. 3 | | Du Liebst mich nicht, Op. 59, No. 1 | | Echo, das, Op. 130 | | Einsame, der, Op. 41 | | Erlafsee, Op. 8, No. 3 | | Erlkonig, Op. 1 | | Erster Verlust, Op. 5, No. 4 | | Erwartung, die, Op. 116 | | Fahrt zum Hades (Posth.) | | Fischer, der, Op. 5, No. 3 | | Fischers Liebesgluck, des | | Florio, Op. 142, No. 2 | | Flug der Zeit, der, Op. 7, No. 2 | | Forelle, die, Op. 32 | | Fruhlingsglaube, Op. 20, No. 2 | | Fulle der Liebe | | Ganymed, Op. 19, No. 3 | | Gebusche, die (Posth.) | | Geheimes, Op. 14, No. 2 | | Gesange des Harfners No. 1, Op. 12 | | Gesange des Harfners No. 2, Op. 12 | | Gesange des Harfners No. 3, Op. 12 | | Gestirne, die (Posth.) | | Glaube, Hoffnung und Liebe, Op. 97 | | Gott im Fruhling (Posth.) | | Gretchen am Spinnrade, Op. 26 | | Gretchens Bitte (Posth.) | | Heidenroslein, Op. 3, No. 3 | | Heimliches Lieben, Op. 106, No. 1 | | Heimweh, das (Posth.) | | Herbst (Post.) | | Hin und wieder fliegen Pfeile (Posth.) | | Im Abendrot | | Im Freien, Op. 80, No. 3 | | Im Fruhling | | Im Haine, Op. 56, No. 3 | | Im Walde, Op. 93, No. 1 | | Jagers Abendlied, Op. 3, No. 4 | | Junge Nonne, die, Op. 43, No. 1 | | Jungling am Bache, der (Posth.) | | Jungling an der Quelle, der (Posth.) | | Jungling und der Tod, der (Posth.) | | Leidende, der (Posth.) | | Liebhaber in allen Gestalten (Posth.) | | Lied der Mignon, Op. 62, No. 3 | | Lied im Grunen, das, Op. 115, No. 1 | | Lob der Tranen, Op. 13, No. 2 | | Mainacht, die (Posth.) | | Mignon (Posth.) | | Mignons Gesang | | Minnelied (Posth.) | | Morgenlied, Op. 4, No. 4 | | Musensohn, der, Op. 92, No. 1 | | Nacht und Traume, Op. 43, No. 2 | | Nachtviolen (Posth.) | | Nahe des Geliebten, Op. 5, No. 2 | | Normanns Gesang, Op. 52, No. 5 | | Pilgrim, der, Op. 37, No. 1 | | Rastlose Liebe, Op. 5, No. 1 | | Rosenband, das | | Sanger, der, Op. 117 | | Schafer und der Reiter, der, Op. 13, No. 1 | | Schatzgrabers Begehr, Op. 23, No. 4 | | Schiffer, der (Posth.) | | Schiffer, der, Op. 21, No. 2 | | Schmetterling, der, Op. 57, No. 1 | | Schwanengesang, Op. 23, No. 3 | | Schwestergruss (Posth.) | | Sehnsucht, Op. 8, No. 2 | | Sei mir gegrusst!, Op. 20, No. 1 | | Sieg, der (Posth.) | | Sprache der Liebe, Op. 115, No. 3 | | Standchen | | Sterne, die, Op. 96, No. 1 | | Stimme der Liebe | | Suleikas zweiter Gesang, Op. 31 | | Totengraber-Weise | | Totengrabers Heimweh (Posth.) | | Trost in Tranen | | Uber Wildemann, Op. 108, No. 1 | | Um Mitternacht, Op. 88, No. 3 | | Unendlichen, dem (Posth.) | | Vater mit dem Kinde, der | | Verklarung (Posth.) | | Versunken | | Viola, Op. 123 | | Vogel, die, Op. 172, No. 6 | | Vor meiner Wiege, Op. 106, No. 3 | | Wachtelschlag, der, Op. 68 | | Wanderer,der, Op. 4, No. 1 | | Wanderer an den Mond, der, Op. 80, No. 1 | | Wanderers Nachtlied, Op. 96, No. 3 | | Wandrers Nachtlied, Op. 4, No. 3 | | Weinen, das, Op. 106, No. 2 | | Wiegenlied, Op. 98, No. 2 | | Willkommen und Abeschied, Op. 56, No. 1 | | Zurnenden Diana, der, Op. 36, No. 1 | Winterreise | All Voices | | Winterreise, Op. 89: 1. Gute Nacht | | Winterreise, Op. 89: 2. Die Wetterfahne | | Winterreise, Op. 89: 3. Gefrorne Tranen | | Winterreise, Op. 89: 4. Erstarrung | | Winterreise, Op. 89: 5. Der Lindenbaum | | Winterreise, Op. 89: 6. Wasserflut | | Winterreise, Op. 89: 7. Auf dem Flusse | | Winterreise, Op. 89: 8. Ruckblick | | Winterreise, Op. 89: 9. Irrlicht | | Winterreise, Op. 89: 10. Rast | | Winterreise, Op. 89: 11. Fruhlingstraum | | Winterreise, Op. 89: 12. Einsamkeit | | Winterreise, Op. 89: 13. Die Post | | Winterreise, Op. 89: 14. Der greise Kopf | | Winterreise, Op. 89: 15. Die Krahe | | Winterreise, Op. 89: 16. Letzte Hoffnung | | Winterreise, Op. 89: 17. Im Dorfe | | Winterreise, Op. 89: 18. Der st?rmische Morgen | | Winterreise, Op. 89: 19. Tauschung | | Winterreise, Op. 89: 20. Der Wegweiser | | Winterreise, Op. 89: 21. Das Wirtshaus | | Winterreise, Op. 89: 22. Mut! | | Winterreise, Op. 89: 23. Die Nebensonnen | | Winterreise, Op. 89: 24. Der Leiermann | Favorites | | Winterreise, Op. 89: 1. Gute Nacht | | Winterreise, Op. 89: 13. Die Post | | Winterreise, Op. 89: 24. Der Leiermann | Low Voice | | 1. Gute Nacht | | 2. Die Wetterfahne | | 3. Gefrorne Tranen | | 4. Erstarrung | | 5. Der Lindenbaum | | 6. Wasserflut | | 7. Auf dem Flusse | | 8. Ruckblick | | 9. Irrlicht | | 10. Rast | | 11. Fruhlingstraum | | 12. Einsamkeit | | 13. Die Post | | 14. Der greise Kopf | | 15. Die Krahe | | 16. Letzte Hoffnung | | 17. Im Dorfe | | 18. Der st?rmische Morgen | | 19. Tauschung | | 20. Der Wegweiser | | 21. Das Wirtshaus | | 22. Mut! | | 23. Die Nebensonnen | | 24. Der Leiermann | Medium Voice | | 1. Gute Nacht | | 2. Die Wetterfahne | | 3. Gefrorne Tranen | | 4. Erstarrung | | 5. Der Lindenbaum | | 6. Wasserflut | | 7. Auf dem Flusse | | 8. Ruckblick | | 9. Irrlicht | | 10. Rast | | 11. Fruhlingstraum | | 12. Einsamkeit | | 13. Die Post | | 14. Der greise Kopf | | 15. Die Krahe | | 16. Letzte Hoffnung | | 17. Im Dorfe | | 18. Der sturmische Morgen | | 19. Tauschung | | 20. Der Wegweiser | | 21. Das Wirtshaus | | 22. Mut! | | 23. Die Nebensonnen | | 24. Der Leiermann | Cello | Pieces | Cello&Piano | | Ave Maria | | Waltz, Op. 9 | Easy | | Ave Maria | Favorites | | Ave Maria | Sonatas | Cello&Piano | | Sonata ’Arpeggione’ | Transcriptions | | Andantino from Piano Sonata No. 9 | | Entr’Act from ’Rosamunde’ | | Marche Militaire, Op. 51, No. 1 | | Moment Musical, Op. 94, No. 3 | | Wanderer | Easy | | Entr’Act from ’Rosamunde’ | Favorites | | Marche Militaire, Op. 51, No. 1 | | Moment Musical, Op. 94, No. 3 |
| | Entr’Act from ’Rosamunde’ | Orchestral Parts | Fierrabras Overture | Bassoon | | Fierrabras Overture: 1.4. Bassoon 1 | | Fierrabras Overture: 1.4. Bassoon 2 | Cello | | Fierrabras Overture: 4.3. Cello | Clarinet | | Fierrabras Overture: 1.3. Clarinet 1 | | Fierrabras Overture: 1.3. Clarinet 1 | Composition | | Fierrabras Overture: 0. Orchestral Score | | Fierrabras Overture: 1.1. Flute 1 | | Fierrabras Overture: 1.1. Flute 2 | | Fierrabras Overture: 1.2. Oboe 1 | | Fierrabras Overture: 1.2. Oboe 2 | | Fierrabras Overture: 1.3. Clarinet 1 | | Fierrabras Overture: 1.3. Clarinet 1 | | Fierrabras Overture: 1.4. Bassoon 1 | | Fierrabras Overture: 1.4. Bassoon 2 | | Fierrabras Overture: 2.1. Horn 1 | | Fierrabras Overture: 2.1. Horn 2 | | Fierrabras Overture: 2.1. Horn 3 | | Fierrabras Overture: 2.1. Horn 4 | | Fierrabras Overture: 2.2. Trumpet 1 | | Fierrabras Overture: 2.2. Trumpet 2 | | Fierrabras Overture: 2.3. Trombone 1 | | Fierrabras Overture: 2.3. Trombone 2 | | Fierrabras Overture: 2.3. Trombone 3 | | Fierrabras Overture: 3. Timpani | | Fierrabras Overture: 4.1. Violin 1 | | Fierrabras Overture: 4.1. Violin 2 | | Fierrabras Overture: 4.2. Viola | | Fierrabras Overture: 4.3. Cello | | Fierrabras Overture: 4.4. Double Bass | | Fierrabras Overture: Complete set | Double Bass | | Fierrabras Overture: 4.4. Double Bass | Flute | | Fierrabras Overture: 1.1. Flute 1 | | Fierrabras Overture: 1.1. Flute 2 | Horn | | Fierrabras Overture: 2.1. Horn 1 | | Fierrabras Overture: 2.1. Horn 2 | | Fierrabras Overture: 2.1. Horn 3 | | Fierrabras Overture: 2.1. Horn 4 | Oboe | | Fierrabras Overture: 1.2. Oboe 1 | | Fierrabras Overture: 1.2. Oboe 2 | Score | | Fierrabras Overture: 0. Orchestral Score | Timpani | | Fierrabras Overture: 3. Timpani | Trombone | | Fierrabras Overture: 2.3. Trombone 1 | | Fierrabras Overture: 2.3. Trombone 2 | | Fierrabras Overture: 2.3. Trombone 3 | Trumpet | | Fierrabras Overture: 2.2. Trumpet 1 | | Fierrabras Overture: 2.2. Trumpet 2 | Viola | | Fierrabras Overture: 4.2. Viola | Violin | | Fierrabras Overture: 4.1. Violin 1 | | Fierrabras Overture: 4.1. Violin 2 | Rosamunde Overture | Bassoon | | Rosamunde Overture: 1.4. Bassoon 1 | | Rosamunde Overture: 1.4. Bassoon 2 | Cello | | Rosamunde Overture: 4.3. Cello | Clarinet | | Rosamunde Overture: 1.3. Clarinet 1 | | Rosamunde Overture: 1.3. Clarinet 2 | Composition | | Rosamunde Overture: 0. Orchestral Score | | Rosamunde Overture: 1.1. Flute 1 | | Rosamunde Overture: 1.1. Flute 2 | | Rosamunde Overture: 1.2. Oboe 1 | | Rosamunde Overture: 1.2. Oboe 2 | | Rosamunde Overture: 1.3. Clarinet 1 | | Rosamunde Overture: 1.3. Clarinet 2 | | Rosamunde Overture: 1.4. Bassoon 1 | | Rosamunde Overture: 1.4. Bassoon 2 | | Rosamunde Overture: 2.1. Horn 1 | | Rosamunde Overture: 2.1. Horn 2 | | Rosamunde Overture: 2.1. Horn 3 | | Rosamunde Overture: 2.1. Horn 4 | | Rosamunde Overture: 2.2. Trumpet 1 | | Rosamunde Overture: 2.2. Trumpet 2 | | Rosamunde Overture: 2.3. Trombone 1 | | Rosamunde Overture: 2.3. Trombone 2 | | Rosamunde Overture: 2.3a. Bass Trombone | | Rosamunde Overture: 3. Timpani | | Rosamunde Overture: 4.1. Violin 1 | | Rosamunde Overture: 4.1. Violin 2 | | Rosamunde Overture: 4.2. Viola | | Rosamunde Overture: 4.3. Cello | | Rosamunde Overture: 4.4. Double Bass | | Rosamunde Overture: Complete set | Double Bass | | Rosamunde Overture: 4.4. Double Bass | Flute | | Rosamunde Overture: 1.1. Flute 1 | | Rosamunde Overture: 1.1. Flute 2 | Horn | | Rosamunde Overture: 2.1. Horn 1 | | Rosamunde Overture: 2.1. Horn 2 | | Rosamunde Overture: 2.1. Horn 3 | | Rosamunde Overture: 2.1. Horn 4 | Oboe | | Rosamunde Overture: 1.2. Oboe 1 | | Rosamunde Overture: 1.2. Oboe 2 | Score | | Rosamunde Overture: 0. Orchestral Score | Timpani | | Rosamunde Overture: 3. Timpani | Trombone | | Rosamunde Overture: 2.3. Trombone 1 | | Rosamunde Overture: 2.3. Trombone 2 | | Rosamunde Overture: 2.3a. Bass Trombone | Trumpet | | Rosamunde Overture: 2.2. Trumpet 1 | | Rosamunde Overture: 2.2. Trumpet 2 | Viola | | Rosamunde Overture: 4.2. Viola | Violin | | Rosamunde Overture: 4.1. Violin 1 | | Rosamunde Overture: 4.1. Violin 2 | Symphony No. 1 | Bassoon | | Symphony No. 1: 1.4. Bassoon 1 | | Symphony No. 1: 1.4. Bassoon 2 | Cello | | Symphony No. 1: 4.3. Cello | Clarinet | | Symphony No. 1: 1.3. Clarinet 1 | | Symphony No. 1: 1.3. Clarinet 2 | Composition | | Symphony No. 1: 0. Orchestral Score | | Symphony No. 1: 1.1. Flute | | Symphony No. 1: 1.2. Oboe 1 | | Symphony No. 1: 1.2. Oboe 2 | | Symphony No. 1: 1.3. Clarinet 1 | | Symphony No. 1: 1.3. Clarinet 2 | | Symphony No. 1: 1.4. Bassoon 1 | | Symphony No. 1: 1.4. Bassoon 2 | | Symphony No. 1: 2.1. Horn 1 | | Symphony No. 1: 2.1. Horn 2 | | Symphony No. 1: 2.2. Trumpet 1 | | Symphony No. 1: 2.2. Trumpet 2 | | Symphony No. 1: 3. Timpani | | Symphony No. 1: 4.1. Violin 1 | | Symphony No. 1: 4.1. Violin 2 | | Symphony No. 1: 4.2. Viola | | Symphony No. 1: 4.3. Cello | | Symphony No. 1: 4.4. Double Bass | | Symphony No. 1: Complete set | Double Bass | | Symphony No. 1: 4.4. Double Bass | Flute | | Symphony No. 1: 1.1. Flute | Horn | | Symphony No. 1: 2.1. Horn 1 | | Symphony No. 1: 2.1. Horn 2 | Oboe | | Symphony No. 1: 1.2. Oboe 1 | | Symphony No. 1: 1.2. Oboe 2 | Score | | Symphony No. 1: 0. Orchestral Score | Timpani | | Symphony No. 1: 3. Timpani | Trumpet | | Symphony No. 1: 2.2. Trumpet 1 | | Symphony No. 1: 2.2. Trumpet 2 | Viola | | Symphony No. 1: 4.2. Viola | Violin | | Symphony No. 1: 4.1. Violin 1 | | Symphony No. 1: 4.1. Violin 2 | Symphony No. 2 | Bassoon | | Symphony No. 2: 1.4. Bassoon 1 | | Symphony No. 2: 1.4. Bassoon 2 | Cello | | Symphony No. 2: 4.3. Cello | Clarinet | | Symphony No. 2: 1.3. Clarinet 1 | | Symphony No. 2: 1.3. Clarinet 2 | Composition | | Symphony No. 2: 0. Orchestral Score | | Symphony No. 2: 1.1. Flute 1 | | Symphony No. 2: 1.1. Flute 2 | | Symphony No. 2: 1.2. Oboe 1 | | Symphony No. 2: 1.2. Oboe 2 | | Symphony No. 2: 1.3. Clarinet 1 | | Symphony No. 2: 1.3. Clarinet 2 | | Symphony No. 2: 1.4. Bassoon 1 | | Symphony No. 2: 1.4. Bassoon 2 | | Symphony No. 2: 2.1. Horn 1 | | Symphony No. 2: 2.1. Horn 2 | | Symphony No. 2: 2.2. Trumpet 1 | | Symphony No. 2: 2.2. Trumpet 2 | | Symphony No. 2: 3. Timpani | | Symphony No. 2: 4.1. Violin 1 | | Symphony No. 2: 4.1. Violin 2 | | Symphony No. 2: 4.2. Viola | | Symphony No. 2: 4.3. Cello | | Symphony No. 2: 4.4. Double Bass | | Symphony No. 2: Complete set | Double Bass | | Symphony No. 2: 4.4. Double Bass | Flute | | Symphony No. 2: 1.1. Flute 1 | | Symphony No. 2: 1.1. Flute 2 | Horn | | Symphony No. 2: 2.1. Horn 1 | | Symphony No. 2: 2.1. Horn 2 | Oboe | | Symphony No. 2: 1.2. Oboe 1 | | Symphony No. 2: 1.2. Oboe 2 | Score | | Symphony No. 2: 0. Orchestral Score | Timpani | | Symphony No. 2: 3. Timpani | Trumpet | | Symphony No. 2: 2.2. Trumpet 1 | | Symphony No. 2: 2.2. Trumpet 2 | Viola | | Symphony No. 2: 4.2. Viola | Violin | | Symphony No. 2: 4.1. Violin 1 | | Symphony No. 2: 4.1. Violin 2 | Symphony No. 3 | Bassoon | | Symphony No. 3: 1.4. Bassoon 1 | | Symphony No. 3: 1.4. Bassoon 2 | Cello | | Symphony No. 3: 4.3. Cello | Clarinet | | Symphony No. 3: 1.3. Clarinet 1 | | Symphony No. 3: 1.3. Clarinet 2 | Composition | | Symphony No. 3: 0. Orchestral Score | | Symphony No. 3: 1.1. Flute 1 | | Symphony No. 3: 1.1. Flute 2 | | Symphony No. 3: 1.2. Oboe 1 | | Symphony No. 3: 1.2. Oboe 2 | | Symphony No. 3: 1.3. Clarinet 1 | | Symphony No. 3: 1.3. Clarinet 2 | | Symphony No. 3: 1.4. Bassoon 1 | | Symphony No. 3: 1.4. Bassoon 2 | | Symphony No. 3: 2.1. Horn 1 | | Symphony No. 3: 2.1. Horn 2 | | Symphony No. 3: 2.2. Trumpet 1 | | Symphony No. 3: 2.2. Trumpet 2 | | Symphony No. 3: 3. Timpani | | Symphony No. 3: 4.1. Violin 1 | | Symphony No. 3: 4.1. Violin 2 | | Symphony No. 3: 4.2. Viola | | Symphony No. 3: 4.3. Cello | | Symphony No. 3: 4.4. Double Bass | | Symphony No. 3: Complete set | Double Bass | | Symphony No. 3: 4.4. Double Bass | Flute | | Symphony No. 3: 1.1. Flute 1 | | Symphony No. 3: 1.1. Flute 2 | Horn | | Symphony No. 3: 2.1. Horn 1 | | Symphony No. 3: 2.1. Horn 2 | Oboe | | Symphony No. 3: 1.2. Oboe 1 | | Symphony No. 3: 1.2. Oboe 2 | Score | | Symphony No. 3: 0. Orchestral Score | Timpani | | Symphony No. 3: 3. Timpani | Trumpet | | Symphony No. 3: 2.2. Trumpet 1 | | Symphony No. 3: 2.2. Trumpet 2 | Viola | | Symphony No. 3: 4.2. Viola | Violin | | Symphony No. 3: 4.1. Violin 1 | | Symphony No. 3: 4.1. Violin 2 | Symphony No. 4 'Tragic' | Bassoon | | Symphony No. 4 ’Tragic’: 1.4. Bassoon 1 | | Symphony No. 4 ’Tragic’: 1.4. Bassoon 2 | Cello | | Symphony No. 4 ’Tragic’: 4.3. Cello | Clarinet | | Symphony No. 4 ’Tragic’: 1.3. Clarinet 1 | | Symphony No. 4 ’Tragic’: 1.3. Clarinet 2 | Composition | | Symphony No. 4 ’Tragic’: 0. Orchestral Score | | Symphony No. 4 ’Tragic’: 1.1. Flute 1 | | Symphony No. 4 ’Tragic’: 1.1. Flute 2 | | Symphony No. 4 ’Tragic’: 1.2. Oboe 1 | | Symphony No. 4 ’Tragic’: 1.2. Oboe 2 | | Symphony No. 4 ’Tragic’: 1.3. Clarinet 1 | | Symphony No. 4 ’Tragic’: 1.3. Clarinet 2 | | Symphony No. 4 ’Tragic’: 1.4. Bassoon 1 | | Symphony No. 4 ’Tragic’: 1.4. Bassoon 2 | | Symphony No. 4 ’Tragic’: 2.1. Horn 1 | | Symphony No. 4 ’Tragic’: 2.1. Horn 2 | | Symphony No. 4 ’Tragic’: 2.1. Horn 3 | | Symphony No. 4 ’Tragic’: 2.1. Horn 3 | | Symphony No. 4 ’Tragic’: 2.2. Trumpet 1 | | Symphony No. 4 ’Tragic’: 2.2. Trumpet 2 | | Symphony No. 4 ’Tragic’: 3. Timpani | | Symphony No. 4 ’Tragic’: 4.1. Violin 1 | | Symphony No. 4 ’Tragic’: 4.1. Violin 2 | | Symphony No. 4 ’Tragic’: 4.2. Viola | | Symphony No. 4 ’Tragic’: 4.3. Cello | | Symphony No. 4 ’Tragic’: 4.4. Double Bass | | Symphony No. 4 ’Tragic’: Complete set | Double Bass | | Symphony No. 4 ’Tragic’: 4.4. Double Bass | Flute | | Symphony No. 4 ’Tragic’: 1.1. Flute 1 | | Symphony No. 4 ’Tragic’: 1.1. Flute 2 | Horn | | Symphony No. 4 ’Tragic’: 2.1. Horn 1 | | Symphony No. 4 ’Tragic’: 2.1. Horn 2 | | Symphony No. 4 ’Tragic’: 2.1. Horn 3 | | Symphony No. 4 ’Tragic’: 2.1. Horn 3 | Oboe | | Symphony No. 4 ’Tragic’: 1.2. Oboe 1 | | Symphony No. 4 ’Tragic’: 1.2. Oboe 2 | Score | | Symphony No. 4 ’Tragic’: 0. Orchestral Score | Timpani | | Symphony No. 4 ’Tragic’: 3. Timpani | Trumpet | | Symphony No. 4 ’Tragic’: 2.2. Trumpet 1 | | Symphony No. 4 ’Tragic’: 2.2. Trumpet 2 | Viola | | Symphony No. 4 ’Tragic’: 4.2. Viola | Violin | | Symphony No. 4 ’Tragic’: 4.1. Violin 1 | | Symphony No. 4 ’Tragic’: 4.1. Violin 2 | Symphony No. 5 | Bassoon | | Symphony No. 5: 1.3. Bassoon 1 | | Symphony No. 5: 1.3. Bassoon 2 | Cello | | Symphony No. 5: 3.3. Cello | Composition | | Symphony No. 5: 0. Orchestral Score | | Symphony No. 5: 1.1. Flute | | Symphony No. 5: 1.2. Oboe 1 | | Symphony No. 5: 1.2. Oboe 2 | | Symphony No. 5: 1.3. Bassoon 1 | | Symphony No. 5: 1.3. Bassoon 2 | | Symphony No. 5: 2.1. Horn 1 | | Symphony No. 5: 2.1. Horn 1 | | Symphony No. 5: 3.1. Violin 1 | | Symphony No. 5: 3.1. Violin 2 | | Symphony No. 5: 3.2. Viola | | Symphony No. 5: 3.3. Cello | | Symphony No. 5: 3.4. Double Bass | | Symphony No. 5: Complete set | Double Bass | | Symphony No. 5: 3.4. Double Bass | Flute | | Symphony No. 5: 1.1. Flute | Horn | | Symphony No. 5: 2.1. Horn 1 | | Symphony No. 5: 2.1. Horn 1 | Oboe | | Symphony No. 5: 1.2. Oboe 1 | | Symphony No. 5: 1.2. Oboe 2 | Score | | Symphony No. 5: 0. Orchestral Score | Viola | | Symphony No. 5: 3.2. Viola | Violin | | Symphony No. 5: 3.1. Violin 1 | | Symphony No. 5: 3.1. Violin 2 | Symphony No. 6 | Bassoon | | Symphony No. 6: 1.4. Bassoon 1 | | Symphony No. 6: 1.4. Bassoon 2 | Cello | | Symphony No. 6: 4.3. Cello | Clarinet | | Symphony No. 6: 1.3. Clarinet 1 | | Symphony No. 6: 1.3. Clarinet 2 | Composition | | Symphony No. 6: 0. Orchestral Score | | Symphony No. 6: 1.1. Flute 1 | | Symphony No. 6: 1.1. Flute 2 | | Symphony No. 6: 1.2. Oboe 1 | | Symphony No. 6: 1.2. Oboe 2 | | Symphony No. 6: 1.3. Clarinet 1 | | Symphony No. 6: 1.3. Clarinet 2 | | Symphony No. 6: 1.4. Bassoon 1 | | Symphony No. 6: 1.4. Bassoon 2 | | Symphony No. 6: 2.1. Horn 1 | | Symphony No. 6: 2.1. Horn 2 | | Symphony No. 6: 2.2. Trumpet 1 | | Symphony No. 6: 2.2. Trumpet 2 | | Symphony No. 6: 3. Timpani | | Symphony No. 6: 4.1. Violin 1 | | Symphony No. 6: 4.1. Violin 2 | | Symphony No. 6: 4.2. Viola | | Symphony No. 6: 4.3. Cello | | Symphony No. 6: 4.4. Double Bass | | Symphony No. 6: Complete set | Double Bass | | Symphony No. 6: 4.4. Double Bass | Flute | | Symphony No. 6: 1.1. Flute 1 | | Symphony No. 6: 1.1. Flute 2 | Horn | | Symphony No. 6: 2.1. Horn 1 | | Symphony No. 6: 2.1. Horn 2 | Oboe | | Symphony No. 6: 1.2. Oboe 1 | | Symphony No. 6: 1.2. Oboe 2 | Score | | Symphony No. 6: 0. Orchestral Score | Timpani | | Symphony No. 6: 3. Timpani | Trumpet | | Symphony No. 6: 2.2. Trumpet 1 | | Symphony No. 6: 2.2. Trumpet 2 | Viola | | Symphony No. 6: 4.2. Viola | Violin | | Symphony No. 6: 4.1. Violin 1 | | Symphony No. 6: 4.1. Violin 2 | Symphony No. 8 'Unfinished' | Bassoon | | Symphony No. 8 ’Unfinished’: 1.4. Bassoon 1 | | Symphony No. 8 ’Unfinished’: 1.4. Bassoon 2 | Cello | | Symphony No. 8 ’Unfinished’: 4.3. Cello | Clarinet | | Symphony No. 8 ’Unfinished’: 1.3. Clarinet 1 | | Symphony No. 8 ’Unfinished’: 1.3. Clarinet 2 | Composition | | Symphony No. 8 ’Unfinished’: 0. Orchestral Score | | Symphony No. 8 ’Unfinished’: 1.1. Flute 1 | | Symphony No. 8 ’Unfinished’: 1.1. Flute 2 | | Symphony No. 8 ’Unfinished’: 1.2. Oboe 1 | | Symphony No. 8 ’Unfinished’: 1.2. Oboe 2 | | Symphony No. 8 ’Unfinished’: 1.3. Clarinet 1 | | Symphony No. 8 ’Unfinished’: 1.3. Clarinet 2 | | Symphony No. 8 ’Unfinished’: 1.4. Bassoon 1 | | Symphony No. 8 ’Unfinished’: 1.4. Bassoon 2 | | Symphony No. 8 ’Unfinished’: 2.1. Horn 1 | | Symphony No. 8 ’Unfinished’: 2.1. Horn 2 | | Symphony No. 8 ’Unfinished’: 2.2. Trumpet 1 | | Symphony No. 8 ’Unfinished’: 2.2. Trumpet 2 | | Symphony No. 8 ’Unfinished’: 2.3. Trombone 1 | | Symphony No. 8 ’Unfinished’: 2.3. Trombone 2 | | Symphony No. 8 ’Unfinished’: 2.3. Trombone 3 | | Symphony No. 8 ’Unfinished’: 3. Timpani | | Symphony No. 8 ’Unfinished’: 4.1. Violin 1 | | Symphony No. 8 ’Unfinished’: 4.1. Violin 2 | | Symphony No. 8 ’Unfinished’: 4.2. Viola | | Symphony No. 8 ’Unfinished’: 4.3. Cello | | Symphony No. 8 ’Unfinished’: 4.4. Double Bass | | Symphony No. 8 ’Unfinished’: Complete set | Double Bass | | Symphony No. 8 ’Unfinished’: 4.4. Double Bass | Flute | | Symphony No. 8 ’Unfinished’: 1.1. Flute 1 | | Symphony No. 8 ’Unfinished’: 1.1. Flute 2 | Horn | | Symphony No. 8 ’Unfinished’: 2.1. Horn 1 | | Symphony No. 8 ’Unfinished’: 2.1. Horn 2 | Oboe | | Symphony No. 8 ’Unfinished’: 1.2. Oboe 1 | | Symphony No. 8 ’Unfinished’: 1.2. Oboe 2 | Score | | Symphony No. 8 ’Unfinished’: 0. Orchestral Score | Timpani | | Symphony No. 8 ’Unfinished’: 3. Timpani | Trombone | | Symphony No. 8 ’Unfinished’: 2.3. Trombone 1 | | Symphony No. 8 ’Unfinished’: 2.3. Trombone 2 | | Symphony No. 8 ’Unfinished’: 2.3. Trombone 3 | Trumpet | | Symphony No. 8 ’Unfinished’: 2.2. Trumpet 1 | | Symphony No. 8 ’Unfinished’: 2.2. Trumpet 2 | Viola | | Symphony No. 8 ’Unfinished’: 4.2. Viola | Violin | | Symphony No. 8 ’Unfinished’: 4.1. Violin 1 | | Symphony No. 8 ’Unfinished’: 4.1. Violin 2 | Symphony No. 9 'The Great' | Bassoon | | Symphony No. 9 ’The Great’: 1.4. Bassoon 1 | | Symphony No. 9 ’The Great’: 1.4. Bassoon 2 | Cello | | Symphony No. 9 ’The Great’: 4.3. Cello | Clarinet | | Symphony No. 9 ’The Great’: 1.3. Clarinet 1 | | Symphony No. 9 ’The Great’: 1.3. Clarinet 2 | Composition | | Symphony No. 9 ’The Great’: 0. Orchestral Score | | Symphony No. 9 ’The Great’: 1.1. Flute 1 | | Symphony No. 9 ’The Great’: 1.1. Flute 2 | | Symphony No. 9 ’The Great’: 1.2. Oboe 1 | | Symphony No. 9 ’The Great’: 1.2. Oboe 2 | | Symphony No. 9 ’The Great’: 1.3. Clarinet 1 | | Symphony No. 9 ’The Great’: 1.3. Clarinet 2 | | Symphony No. 9 ’The Great’: 1.4. Bassoon 1 | | Symphony No. 9 ’The Great’: 1.4. Bassoon 2 | | Symphony No. 9 ’The Great’: 2.1. Horn 1 | | Symphony No. 9 ’The Great’: 2.1. Horn 2 | | Symphony No. 9 ’The Great’: 2.2. Trumpet 1 | | Symphony No. 9 ’The Great’: 2.2. Trumpet 2 | | Symphony No. 9 ’The Great’: 2.3a. Alto Trombone | | Symphony No. 9 ’The Great’: 2.3b. Tenor Trombone | | Symphony No. 9 ’The Great’: 2.3c. Bass Trombone | | Symphony No. 9 ’The Great’: 3. Timpani | | Symphony No. 9 ’The Great’: 4.1. Violin 1 | | Symphony No. 9 ’The Great’: 4.1. Violin 2 | | Symphony No. 9 ’The Great’: 4.2. Viola | | Symphony No. 9 ’The Great’: 4.3. Cello | | Symphony No. 9 ’The Great’: 4.4. Double Bass | | Symphony No. 9 ’The Great’: Complete set | Double Bass | | Symphony No. 9 ’The Great’: 4.4. Double Bass | Flute | | Symphony No. 9 ’The Great’: 1.1. Flute 1 | | Symphony No. 9 ’The Great’: 1.1. Flute 2 | Horn | | Symphony No. 9 ’The Great’: 2.1. Horn 1 | | Symphony No. 9 ’The Great’: 2.1. Horn 2 | Oboe | | Symphony No. 9 ’The Great’: 1.2. Oboe 1 | | Symphony No. 9 ’The Great’: 1.2. Oboe 2 | Score | | Symphony No. 9 ’The Great’: 0. Orchestral Score | Timpani | | Symphony No. 9 ’The Great’: 3. Timpani | Trombone | | Symphony No. 9 ’The Great’: 2.3a. Alto Trombone | | Symphony No. 9 ’The Great’: 2.3b. Tenor Trombone | | Symphony No. 9 ’The Great’: 2.3c. Bass Trombone | Trumpet | | Symphony No. 9 ’The Great’: 2.2. Trumpet 1 | | Symphony No. 9 ’The Great’: 2.2. Trumpet 2 | Viola | | Symphony No. 9 ’The Great’: 4.2. Viola | Violin | | Symphony No. 9 ’The Great’: 4.1. Violin 1 | | Symphony No. 9 ’The Great’: 4.1. Violin 2 | Sacred | Duet | Ensembles | | Stabat Mater: Hear the worlds of comfort spoken (Soprano/Tenor) | | The Good Shepherd (Medium/Low) | | The Grand Alleluia (Medium/Low) | Quartet | | Mass in B-flat: Benedictus qui venit (Soprano/Alto/Tenor/Bass) | | Mass in B-flat: Et incarnatus est (Soprano/Alto/Tenor/Bass) | | Mass in F: Benedictus qui venit (Soprano I, II/Tenor I, II) | Trio | | Mass in E-flat: Et incarnatus est (Soprano/Tenor I, II) | | Mass in G: Benedictus qui venit (Soprano/Tenor/Bass) | | Stabat Mater: Erdenfreuden und ihr Elend (Soprano/Tenor/Bass) |
| Bass/Baritone | | Ave Maria | | Litanei (in D flat) | | Litanei (in E flat) | | Stabat Mater: Sohn des Vaters | Favorites | | Ave Maria | Mezzo-Soprano/Alto | | Ave Maria | | Litany for the Feast of All Souls (in D flat) | | Litany for the Feast of All Souls (in E flat) | Soprano | | Litany for the Feast of all Souls | | Stabat Mater: Gazing on the crucifixion of her Son | Tenor | | Litany for the Feast of all Souls | | Stabat Mater: Ach, was hatten wir | Clarinet | Pieces | Clarinet&Piano | | Der Hirt auf dem Felsen for Clarinet, Soprano and Piano | Favorites | | Der Hirt auf dem Felsen for Clarinet, Soprano and Piano |
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