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 |             | Heinrich Schutz
1585 – 1672
Heinrich Schutz short biography
One of the leading German composers, Heinrich Schutz studied with Giovanni Gabrieli and Claudio Monteverdi. Schutz joined the court of Landgrave Moritz of Hessen-Kassel and later served the Electors of Saxony in Dresden. Schulz also assumed the position of court composer for the King of Denmark. Schutz wrote mainly music for the church. Schutz’s popular Christmas Oratorio exists in many variants and includes German and Latin versions.
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Schutz Sacred Songs Arias Ensembles sheet music download on EveryNote.com
Schutz Choral sheet music download on EveryNote.com | |
| Sheet music downloads - Schutz |  |
Choral | Sacred |
| Schutz | Choral
| Christmas Oratorio
| Bass
| 8. Herodes (Tenor, Bass) | Chorus
| 2. Introduction (Tenor, Chorus) | 4. Die Menge der Engel Tenor, Chorus) | 5. Die Hirten auf dem Felde (Tenor, Women’s Chorus) | 6. Die Weisen aus dem Morgenlande (Tenor, Men’s Chorus) | 7. Hohepriester und Schrift-gelehrte (Tenor, Men’s Chorus) | 11. Conclusion (Chorus) | Composition
| 1. Christmas Oratorio: Complete | 2. Introduction (Tenor, Chorus) | 3. Der Engel zu den Hirten (Soprano, Tenor) | 4. Die Menge der Engel Tenor, Chorus) | 5. Die Hirten auf dem Felde (Tenor, Women’s Chorus) | 6. Die Weisen aus dem Morgenlande (Tenor, Men’s Chorus) | 7. Hohepriester und Schrift-gelehrte (Tenor, Men’s Chorus) | 8. Herodes (Tenor, Bass) | 9. Der Engel zu Joseph (Soprano, Tenor) | 10. Der Engel zu Joseph I (Soprano, Tenor) | 11. Conclusion (Chorus) | Soprano
| 3. Der Engel zu den Hirten (Soprano, Tenor) | 9. Der Engel zu Joseph (Soprano, Tenor) | 10. Der Engel zu Joseph I (Soprano, Tenor) | Tenor
| 2. Introduction (Tenor, Chorus) | 3. Der Engel zu den Hirten (Soprano, Tenor) | 4. Die Menge der Engel Tenor, Chorus) | 5. Die Hirten auf dem Felde (Tenor, Women’s Chorus) | 6. Die Weisen aus dem Morgenlande (Tenor, Men’s Chorus) | 7. Hohepriester und Schrift-gelehrte (Tenor, Men’s Chorus) | 8. Herodes (Tenor, Bass) | 9. Der Engel zu Joseph (Soprano, Tenor) | 10. Der Engel zu Joseph I (Soprano, Tenor) | Seven Last Words
| Alto
| 1a. Chorus of the Congregation (Soprano, Alto, Tenor, Bass) | 3. And It Was Close (Soprano, Alto, Tenor, Bass, Chorus) | 5. Conclusion (Soprano, Alto, Tenor, Bass) | Bass
| 1a. Chorus of the Congregation (Soprano, Alto, Tenor, Bass) | 3. And It Was Close (Soprano, Alto, Tenor, Bass, Chorus) | 5. Conclusion (Soprano, Alto, Tenor, Bass) | Chorus
| 3. And It Was Close (Soprano, Alto, Tenor, Bass, Chorus) | Composition
| 1. Seven Last Words: Complete | 1a. Chorus of the Congregation (Soprano, Alto, Tenor, Bass) | 2. Symphonia | 3. And It Was Close (Soprano, Alto, Tenor, Bass, Chorus) | 4. Symphonia | 5. Conclusion (Soprano, Alto, Tenor, Bass) | Soprano
| 1a. Chorus of the Congregation (Soprano, Alto, Tenor, Bass) | 3. And It Was Close (Soprano, Alto, Tenor, Bass, Chorus) | 5. Conclusion (Soprano, Alto, Tenor, Bass) | Tenor
| 1a. Chorus of the Congregation (Soprano, Alto, Tenor, Bass) | 3. And It Was Close (Soprano, Alto, Tenor, Bass, Chorus) | 5. Conclusion (Soprano, Alto, Tenor, Bass) | Sacred
| Duet
| Ensembles
| Christmas Oratorio: Be not afraid, fear not (Soprano/Tenor) | Christmas Oratorio: Herodes (Tenor/Bass) | Christmas Oratorio: Now arise, Joseph (Soprano/Tenor) |
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